Warwickshire: The Land of ShakespeareHolland, Clive
History
Warwickshire: The Land of Shakespeare
Holland, Clive
Warwickshire (England) -- Description and travel
On the right–hand side are the remains of the buildings which in former
times formed the northern side of the inner court, with the once
extensive stables, just visible on the left through a small shrubbery,
with the circular Lunn’s Tower some forty feet in height close to
them, and projecting from the curtain. The tower has two upper floors
with fireplaces, and to one of these has been given (why it is not
discoverable) the title of the King’s Chamber. The loopholes are all
splayed on the inside, to assist in the discharge of arrows, and on
the outside wall are holes, in which were placed beams to support the
wooden galleries, called “hoards,” which enabled the defenders to have
a command of the walls, and thus make it impossible for the attacking
force to obtain shelter by keeping close to them. The entrance to the
tower was blown up during the Civil War in the reign of Charles I.
The stabling, which is on the ground floor, of stone, and the upper
part mostly of timber and brick, has in the centre a large porch and a
wide entrance, as though this part of the building was once used for
the purpose of a barn. The work is chiefly in the Late Perpendicular
style, although traditionally of a much earlier date.
Mortimer’s Tower lies at the other end of the stable buildings,
past the warder’s chamber, and is at the castle end of the tilt–yard
or dam. Why called Mortimer’s Tower has never been satisfactorily
settled, as although Scott and some other writers believe that it
took its name from the Earl of March, who played the principal part
in the great tournament in the reign of Edward I., and may possibly
have lodged in it, others incline to the view that it derived it from
the circumstance of a Sir John Mortimer having been imprisoned in it
during the reign of Henry V. As a fact, the tower is more properly to
be considered a strong double gateway, leading into the tilt–yard, and
formerly provided with two portcullises and a double set of gates.
Remains of chambers on either side are discoverable, the one on the
left hand possessing a garderobe; the outer entrance is defended by
two half–round towers, which are pierced with loopholes for repelling
attack. The tower gateway leads out upon the high bank, which was
originally a portion of the dam of the great lake, and was used as
a tilt–yard. It extends for a distance of about eighty yards to the
Gallery Tower placed at the end of this isthmus–like strip of land,
which in ancient times separated the lower lake from the great lake.
The Gallery Tower, however, cannot now be reached from the tilt–yard,
owing to the fact that a deep cutting was made through the dam for the
purpose of draining off the waters from the lake, but it can be seen
embowered in trees from the castle side of the cutting. This name was
probably derived from the fact that in ancient times it was furnished
with “a broad and fair gallery, set aside for the use of the ladies,
Public-domain text, read in full here on John Shaqi.
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