The wood, as you approach down the road from Mr. Motley’s gate,
presents the aspect of a hill of pines, dark and massive; but,
crossing the fence that keeps it from the highway, you are almost at
once in the midst of a mingled growth of birch and beech and willows;
beneath these passes the brook, near to whose bank was found, farther
up, the body of the boy. Old Mr. Bussey, it would seem, was a man of
droll, yet picturesque fancies, mingled with a sturdy sense of the
useful; for no sooner are you free of the pasture land, and in among
the trees, than you discover traces of his handiwork. The path you
are upon is broad and well constructed, leading to a solid bridge
of masonry; and well may you pause here to take in the full effect
of the scenic entanglement. On your right is a fish-pond, fringed
with the swamp willow, and of sufficient capacity to contain fish
enough for a council of cardinals during the abstinent days of Lent;
and near by a spring of water, so cold that ice is never needed by
those frequent picnic parties that, up to the period of the murders,
sought these delicious retiracies for holiday festivals, or love’s
deeper and sweeter plans of recreation. Crossing this lower bridge,
and passing over a road with velvety grass borders, you turn to your
left, and if you have the time from sandwiches and other condiments,
or are not too absorbed in emotions that beat marches to the field of
matrimony, or much elaboration of flirtation, you will see the steep
ascent, bearded with huge pines, and covered with abutting rocks,
looking like the base of a minor incident of Alpine precipice. If
you choose, there is a wild pathway made among the zigzags, and this
you can pursue until the summit meets you, with the recompense of a
noble prospect, but with your muscles somewhat demoralized. Did those
children take this route?
Public-domain text, read in full here on John Shaqi.
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