Authors, American -- 19th century -- Biography; Irving, Washington, 1783-1859
Before the "Sketch-Book" was launched, and while Irving was casting
about for the means of livelihood, Walter Scott urged him to take the
editorship of an Anti-Jacobin periodical in Edinburgh. This he declined
because he had no taste for politics, and because he was averse to
stated, routine literary work. Subsequently Mr. Murray offered him a
salary of a thousand guineas to edit a periodical to be published by
himself. This was declined, as also was another offer to contribute to
the "London Quarterly" with the liberal pay of one hundred guineas an
article. For the "Quarterly" he would not write, because, he says, "it
has always been so hostile to my country, I cannot draw a pen in its
service." This is worthy of note in view of a charge made afterwards,
when he was attacked for his English sympathies, that he was a frequent
contributor to this anti-American review. His sole contributions to it
were a gratuitous review of the book of an American author, and an
explanatory article, written at the desire of his publisher, on the
"Conquest of Granada." It is not necessary to dwell upon the small
scandal about Irving's un-American feeling. If there was ever a man who
loved his country and was proud of it; whose broad, deep, and strong
patriotism did not need the saliency of ignorant partisanship, it was
Washington Irving. He was like his namesake an American, and with the
same pure loyalty and unpartisan candor.
The first number of the "Sketch-Book" was published in America in May,
1819. Irving was then thirty-six years old. The series was not completed
till September, 1820. The first installment was carried mainly by two
papers, "The Wife" and "Rip Van Winkle;" the one full of tender pathos
that touched all hearts, because it was recognized as a genuine
expression of the author's nature; and the other a happy effort of
imaginative humor,--one of those strokes of genius that recreate the
world and clothe it with the unfading hues of romance; the theme was an
old-world echo, transformed by genius into a primal story that will
endure as long as the Hudson flows through its mountains to the sea. A
great artist can paint a great picture on a small canvas.
The "Sketch-Book" created a sensation in America, and the echo of it was
not long in reaching England. The general chorus of approval and the
rapid sale surprised Irving, and sent his spirits up, but success had
the effect on him that it always has on a fine nature. He writes to
Leslie: "Now you suppose I am all on the alert, and full of spirit and
excitement. No such thing. I am just as good for nothing as ever I was;
and, indeed, have been flurried and put out of my way by these puffings.
I feel something as I suppose you did when your picture met with
success,--anxious to do something better, and at a loss what to do."
Public-domain text, read in full here on John Shaqi.
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