A One-Act Play
By Lewis Beach
Copyright, 1914, by Emmet Lewis Beach, Jr.
(Note--The author acknowledges indebtedness to "The Least of These," by
Donal Hamilton Haines, a short story which suggested the play.)
"The Clod" was produced by the Washington Square Players, under the
direction of Holland Hudson, at the Bandbox Theatre, New York City,
beginning January 10, 1916.
In the cast, in the order of their appearance, were the following:
MARY TRASK. Josephine A. Meyer
THADDEUS TRASK. John King
A NORTHERN SOLDIER. Glenn Hunter
A SOUTHERN SERGEANT. Robert Strange
A SOUTHERN PRIVATE. Spalding Hall
The Scene was designed by John King.
"The Clod" was subsequently revived by the Washington Square Players
at the Comedy Theatre, New York City, beginning June 5, 1916. In this
production Mary Morris played the part of Mary Trask.
Later it was presented in vaudeville by Martin Beck, opening at the
Palace Theatre, New York City, August 21, 1916, with the following cast:
MARY TRASK. Sarah Padden
THADDEUS TRASK. John Cameron
A NORTHERN SOLDIER. Glenn Hunter
A SOUTHERN SERGEANT. Thomas Hamilton
A SOUTHERN PRIVATE. Gordon Gunnis
"The Clod" was first produced by the Harvard Dramatic Club, in March,
1914, with the cast as follows:
MARY TRASK. Christine Hayes
THADDEUS TRASK. Norman B. Clark
A NORTHERN SOLDIER. Dale Kennedy
A SOUTHERN SERGEANT. James W. D. Seymour
DICK. Richard Southgate
THE CLOD
CHARACTERS
THADDEUS TRASK
MARY TRASK
A NORTHERN SOLDIER
A SOUTHERN SERGEANT
DICK
SCENE: The kitchen of a farmhouse on the borderline between the Southern
and Northern states. TIME: Ten o'clock in the evening, September, 1863.
The back wall is broken at stage left by the projection at right angles
of a partially enclosed staircase, four steps of which, leading to the
landing, are visible to the audience. Underneath the enclosed stairway
is a cubby-hole with a door; in front of the door stands a small table.
To the left of this table is a kitchen chair. A door leading to the yard
is in the centre of the unbroken wall back; to the right of the door,
a cupboard, to the left, a stove. In the wall right are two windows.
Between them is a bench, on which there are a pail and a dipper;
above the bench a towel hanging on a nail, and above the towel a
double-barrelled shot-gun suspended on two pegs.
In the wall left, and well down stage, is a closed door leading to
another room. In the centre of the kitchen stands a large table; to the
right and left of this, two straight-backed chairs.
The walls are roughly plastered. The stage is lighted by the moon, which
shines into the room through the windows, and a candle on table centre.
When the door back is opened, a glimpse of a desolate farmyard is seen
in the moonlight.
Public-domain text, read in full here on John Shaqi.
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