Watch Yourself Go ByField, Al. G. (Alfred Griffith)
General
Watch Yourself Go By
Field, Al. G. (Alfred Griffith)
Circus performers -- United States -- Biography; Field, Al. G. (Alfred Griffith), 1848-1921; Wit and humor
"Oh, come on down, Pap, let me in. It's me, Pap, don't you know me?"
Alfred was so crestfallen and ashamed that he could not bear to speak
his own name. "In a minute, Alfred," came in a more kindly tone as the
father's head was withdrawn from the window. Then the father's voice was
heard informing the mother, "The boy's back."
It flashed through the boy's mind that the conditions that brought him
home so unexpectedly were known only to himself and he could stave off
unpleasant explanations for a time at least.
The door opened, the father shook his hand heartily. "How are you? How
have you been? We've been expecting you. How did you get out of the
trouble in Bealsville? The _Clipper_ says you were all jerked up and
slid out between two days."
The mother and all the children were up. Lin insisted on setting out a
pie and making a hot cup of coffee. Alfred was highly complimented that
he had kept his promise to return. Alfred accepted the praises with a
conscience stricken feeling that kept him miserable under his assumed
gaiety.
The first time Lin and Alfred were alone in the kitchen, she turned full
on him as she asked in a deeply interested way: "How much did ye make
outen yere trip?"
The question was so direct and without warning that Alfred dropped his
gaze and began stammering. Lin continued: "There's somethin' ded about
yer; I smelled a mice the minnit I seen yer face. Jes let hit out, ye'll
feel better. I'll help ye. Where's Eli? Where's the other boys?"
Alfred gave Lin the whole miserable story, neither adding to it nor
concealing anything. Lin summed up the matter thus: "Ef ye're out
enything ye kin sue Eli. His muther'll settle."
They figured it up, Alfred was a little in Eli's debt. "Then what ye
palaverin' 'bout, ye've done all right?"
"But it's the disappointment of the thing, the way it wound up and it
looked so promising," whined Alfred.
"Well, ef ye never git hit harder then Eli hit ye, ye'll need no
poultices," consoled Lin. "Why don't ye gin Redstone Skule-house another
try? Charley Wagner an' everybody else sed ef ye'd go back that ye'd
make all back ye wus shy afore."
Alfred was on his way in less time than it takes to record it, notifying
the boys that they would go to Redstone School-house next Saturday
night. The school-house secured, the music was the next important
matter. Charley Wagner had a sore throat, so he informed Alfred. All
others approached were affected in the same way. It looked very much as
if the exhibition would have to be given up.
Cousin Charley suggested that Alfred go to Merrittstown and hire the
blind Hostetler family. All were blind excepting John, who had one eye.
There were three brothers and a sister--two violins, a double bass
violin, the girl sang and in time with the music manipulated two large
corn-cobs, much in the manner of a minstrel's cracking the bones. A
contract was entered into with the family whereby they were to receive
ten dollars for the night, and their suppers.
Public-domain text, read in full here on John Shaqi.
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