Watch Yourself Go ByField, Al. G. (Alfred Griffith)
General
Watch Yourself Go By
Field, Al. G. (Alfred Griffith)
Circus performers -- United States -- Biography; Field, Al. G. (Alfred Griffith), 1848-1921; Wit and humor
The school-house was packed, there was some thirty-seven dollars in all.
When the performance was nearing the end, Cousin Charley made his way
behind the curtain and in a whisper informed Alfred that the constable
had seized all the money and properties of the minstrels and that he,
Alfred, was to be arrested and put in jail. Alfred's acting was not so
spirited as in the opening. Those who were aware of the load that
oppressed him, sympathized and condoned with him until he was nearly
unmanned.
The suit came up before a justice of the peace. Eli's creditors had an
attorney, Alfred and the minstrels had none. The plea that Eli was not
interested in the venture, that it was Alfred's show, was offset by the
fact that Alfred, in his dealings, informed every one that the show
belonged to Eli. And there was the advertising matter. Did not all bear
the words, "Eli, Owner and Manager." Alfred had designedly and against
his pride ordered Eli's name placed on the bills to relieve himself of
all responsibility and worry.
The evidence was conclusive. At least that's what the lawyer, Isaac
Bailey, said. Lin said: "It was boun' to go agin Alfurd. Limpy Bailey
cud make black white an' Squire Wilkinson's agin' evurythin' but the
Methudis' Church."
There were numerous little bills unpaid, including five dollars to the
blind family. Chapters of truths and unfounded rumors, were in the
mouths of the gossips as to how the troupe stranded in West Virginia,
compelled to walk home, traveling as deck passengers on the steamboat.
It even went the rounds that they would have starved if George Warner
had not fed them surreptitiously on their way home.
Alfred was crestfallen. He was ashamed to visit his old haunts in the
town. He evolved plan after plan only to be persuaded by Lin to abandon
them as soon as they were broached to her. The father rubbed salt into
his wounded feelings at every reference he made to the minstrel business
and the lowness of those connected with it, holding Eli up as a terrible
example of what minstrel life would bring a man to.
Berated, brow-beaten, driven to the wall, Alfred answered his father in
kind following one of his most bitter arraignments of show people:
"Father, what are you talking about? Something you know nothing of. Eli
was not a showman, not a minstrel man. He was only with an amateur
minstrel show eight days. Nothing in his associations made him lower
than he was before he left."
"Then why did you go with him?" sternly demanded the parent.
"I wanted to make money."
"Yes, you wanted to make trouble and disgrace for your poor mother and
myself," was the father's rejoinder.
"How sorry I am I did not do differently. How sorry I am that this ever
happened and I planned it all so differently. I felt I was protecting
myself and I'm into it deeper than before." Thus would Alfred reason
with himself.
Public-domain text, read in full here on John Shaqi.
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