Lin was always an appreciative audience for Alfred. When he learned to do head-sets, hand-springs and the like she urged him on to greater acrobatic achievements. When he attempted to walk on his hands she followed his zig-zag course, steadying him when he threatened to topple over. When Bent Wilgus, a Bridgeport boy, came up to Jeffries' Commons and entered the ring that was once enclosed by Alfred's tent, and performed a dozen feats that Alfred had never even witnessed, thereby winning the applause of the crowd of boys, both Lin and Alfred remained silent. When he did a round off a flip-flap and a high back somersault, a row of head-sets across the ring, finishing by doing heels in the mud, Alfred turned green with envy. He felt his reputation slipping away from him and realized he was deposed as the boys' and girls' idol, as an actor. Lin felt like driving the usurper off the commons. Later, she consoled Alfred with the statement that Bent Wilgus had gum in his shoes that made him bounce so. "His daddy keeps a shoe store an' thet's where he gits bouncin' shoes from. I'll git ye a pair ef I hev to send to Filadelphy fur 'em." The Quaker City was the metropolis of the world to the good people of the town in those days. New York City was never considered in the same breath with old Philly. Brownsville had but one representative in the show profession so far as any one knew. He had left the town many years before and it was reported had become a great actor. Alfred had never heard the word actor save in connection with a circus performer. He had never witnessed or even heard of a dramatic actor. He had gotten his idea for his impersonation from a rider, who, standing on a broad pad on a horse's back in the circus ring, impersonated noted characters such as Richard III, Daniel Boone, Davy Crockett and a shepherd boy. The reputation of Tony Bailles, the only actor Brownsville ever produced, was folklore in his native place. Tony had never appeared in his home town. And that which greatly enhanced the reputation of the great actor in the minds of the people in his home was the oft repeated stories of his prowess as a fighter. In those days every man and boy was judged by his personal courage. Courage was the supreme test by which all males were gauged. The man or boy who did not have the bravery to uphold his dignity with his fists was not worthy. In the tales told of Tony Bailles' great prowess with his fists and feet, it was asserted that he more often used his feet than his fists and that his adversary rarely got near him. As they advanced upon him Tony kicked them under the chin just once. One kick and all the fight was out of them.