Tony was one of Alfred's illusions. He desired to imitate him, travel all over the land and become a great actor, a greater actor than even his heroic model, as Alfred had never heard Tony's great feats described. The kick under the chin was Tony's only feat impressed strongly enough on Alfred's mind to have him imitate. Tommy White, Lash Hyatt and Jim Campbell were either housed up or walking about with stiff necks and swollen jaws ere it was discovered that Alfred was imitating Tony Bailles. Lash Hyatt's folks, feeling sure the boy had the mumps, sent for the doctor. It was then revealed that Alfred did not fight fair but "kicked you under the chin before you could raise a hand," as the boys described it. Alfred tried the Tony Bailles' high kick on big, husky George Herbertson. The kick started as it had with the other boys but instead of reaching the chin at which it was aimed, a big, husky blacksmith's helper checked it. Alfred sat down so suddenly he imagined the earth had "flew" up and hit him. While the blacksmith helper held his leg aloft Alfred, as he lay on his back, saw a big fist coming straight for his face. He has no distinct recollection of when it reached its landing place. Uncle Ned Snowden assisted Alfred home, where he remained in doors several days with two parti-hued eyes. While housed up, Alfred promised Lin he would always thereafter fight fair. Consequently, he thereafter carried two big limestones, one in each coat pocket for George Herbertson. Somehow the blacksmith boy was always too quick for Alfred and the next time they met, which was on the Bridgeport wharf, the blacksmith boy trimmed Alfred again. And thus it was that the old iron bridge, the first of its kind constructed in the United States and built by John Herbertson, the father of George, became the dead line between the boys of the two towns. If a boy from one town was found in the other he was compelled to fight or flee. [Illustration: The First Iron Bridge Built in the U. S.] The word "actor" to the good people of those days always referred to a circus performer as mentioned previously. It is related of Joseph Jefferson, the dean of the dramatic profession, that while visiting his plantation near New Iberia, Louisiana, he walked over the grounds accompanied by an old, colored field hand. He talked in his usual manner with the old negro telling him of the many cities in which his contracts compelled him to act ere he would again visit his beautiful southern home. The old negro said he was sorry "kase all de folks, white uns an' black uns, was jes mos' crazy for to see massa Joe ak." As they walked and talked the old negro informed Mr. Jefferson that Dan Rice's circus was "dere a while back, jes on the aidge ob kane cuttin' time, an' dey had some mighty fine actuhs but nuthin' like de actin' ob Massah Joe."