Watching on the RhineMarkham, Violet R. (Violet Rosa)
History
Watching on the Rhine
Markham, Violet R. (Violet Rosa)
Cologne (Germany) -- Description and travel; Germany -- Description and travel; World War, 1914-1918 -- Germany
Four A.M.: the slowly moving engine comes to a standstill with a jolt
which wakes me from the uneasy half-sleep of a train journey. I lift a
corner of the blind and look out. It is the grey hour before the dawn,
when night still wrestles with morning for the possession of the coming
day. A ruined building lit up by a station flare stares at me stark and
desolate. In the quarter light a long street of battered houses is also
dimly visible. Lille! We have come through the worst of the devastated
area in the night, but the hall-mark of the invader lies stamped on the
big industrial town, the very name of which is associated henceforth
with suspense, with anguish, with triumph. The military train begins
to move again cautiously over temporary bridges and a permanent way
not as yet permanently repaired. We are far removed from the days when
continental expresses and sleeping-cars swept in a few hours from one
capital to another. The miracle is to be in this slow-moving train at
all which links the British base in France with the occupied German
area. Ruined houses look in through the window, phantom buildings of
which nothing but the outer walls remain. Yet, as I strain my eyes in
the dim light, I see something else; something which was not visible
when I last visited a devastated area in March--here and there a house
already rebuilt, stacks of bricks neatly piled, rubbish sifted and
cleared, stones laid in order for the mason’s hand. Yes, there has been
“cleaning up” during the last five months--the most tragic cleaning up
which can ever befall a nation. And clearly France, with her amazing
energy and recuperative powers, has already flung herself into the task
of repairing the desolate places. It is a grim and mighty task which
awaits our Ally.
Stricken though the towns, the land, desolate, barren, uncultivated,
has a pathos all its own. As we move ever eastwards and the dawn comes
up in the sky, the nakedness of the fields invaded by coarse grass
and weeds symbolises the sufferings of France. But in the growing
light evidences appear in the fields of the same brave spirit which is
reclaiming the towns. Here and there a half-destroyed farmhouse has
been patched up, and a thin cloud of smoke rises from the battered
chimney. Across the silent fields a team of horses is being led out to
work; a woman drives out her cows or is seen surrounded by clamorous
poultry. France may be sorely wounded, but the spirit of France cannot
be destroyed. France, for all her losses, has hope in her heart, and
amid the desolation of war, hope, like some beautiful flower, blossoms
once again.
Public-domain text, read in full here on John Shaqi.
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