Watching on the RhineMarkham, Violet R. (Violet Rosa)
History
Watching on the Rhine
Markham, Violet R. (Violet Rosa)
Cologne (Germany) -- Description and travel; Germany -- Description and travel; World War, 1914-1918 -- Germany
Not only in Cologne, but throughout the whole of Germany, the
completion of the cathedral was a signal for an outburst of pride
and joy. National enthusiasm knew no bounds. There were festivals
and feastings and pageants. Looking back on the rejoicings from our
own standpoint of a stricken world, we can recognise of what tragic
events they were the starting point. To keep a cool head when steering
on a full tide of success is a test of character more severe in its
searching than the patient bearing of adversity. Under that test the
new-made German Empire broke down rapidly. By 1880 Germany was launched
on the career which, soon transcending all that is legitimate in
national virility and self-consciousness, was to bring her ultimately,
through pride and aggression, to defeat and downfall.
From the cannon captured in the French war a bell known as the
Kaiser-Glocke was cast, which became in a special sense the tutelary
genius of the cathedral. Only on rare and solemn occasions was the
Kaiser-Glocke heard. Then as its deep note boomed across the waters
of the Rhine, the citizens of Cologne thrilled with proud memories of
conquest and restored national life. The cannon of a conquered foe are
symbols of death, destruction, and defeat. To convert them as trophies
of victory into bells which call men and women to the service of God
and the worship of the Prince of Peace, is an act of paganism removed
as by the poles from rudimentary Christian ethic. But though the mills
of God grind slowly they grind exceeding small, as the fate of the
great bell was to prove.
In the spring of 1918, owing to the acute shortage of metal, the
Kaiser-Glocke shared the doom of many other of the fine Cologne church
bells. To-day its great chamber stands bare and empty. The people of
the town were in despair. The passing of the bell was to them a symbol
of the passing of victory. But the grim needs of the hour in the matter
of munitions had to be met at any cost. Born of the things of death, to
the things of death the bell returned. Reconverted into a gun, and lost
on the Western Front--was ever warning more sombre as to the vanity of
human desires and the perils which wait on human arrogance?
Public-domain text, read in full here on John Shaqi.
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