Watching on the RhineMarkham, Violet R. (Violet Rosa)
History
Watching on the Rhine
Markham, Violet R. (Violet Rosa)
Cologne (Germany) -- Description and travel; Germany -- Description and travel; World War, 1914-1918 -- Germany
German houses reveal a great deal about the German character.
The spirit of a people is bound to impress itself on their daily
surroundings, and German virtues and German faults are writ large
over the residential quarters of Cologne. On the material side the
houses are admirable. They are sound, well-built, excellent examples
of good solid workmanship. Excellent too are all the material
appointments. Hot and cold water, baths, electric light, first-rate
kitchen apparatus--every practical comfort and convenience exists which
simplifies life for the housewife. Central heating is the rule. There
are no fires or fireplaces, though some houses have an open grate in
the principal room for auxiliary gas, or wood. At first the hearthless
rooms are very cheerless, but by degrees you discover virtue in the
even temperature of the house. Also the saving in dirt and the saving
in labour are considerable. No less excellent are all the fittings,
window sashes, doors, floors, etc. Everything dovetails perfectly;
there are no draughts, no signs of jerry-building. All that is material
is handled with complete efficiency.
But beauty--here we come to the ground with a crash. Never were houses,
taking them all round, so ugly and so devoid of taste. The furniture
and pictures give one a pain across the eyes. _Objets d’art_, costly
and incongruous, are jumbled together in the wildest confusion. I have
been in drawing-rooms in which Flemish tapestries, Japanese lacquer,
Louis XV. chairs, Meshrebiya work from Cairo, Indian embroideries,
bastard Jacobean chairs, Chinese dragons, and modern Dresden
shepherdesses were locked together in a deadly conflict to which the
Hindenburg line must have been child’s play. Robust oil paintings
usually look down on the struggle. Admirable though the German taste
in music, the race appears to be without eyes as regards the plastic
arts. The degree to which the things of the spirit have atrophied in
modern Germany is writ large across these dwelling-places. In their
material excellence, as in their aesthetic failures, they are a true
touchstone of the race.
Public-domain text, read in full here on John Shaqi.
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