Waterloo Days: The narrative of an Englishwoman resident at Brussels in June 1815Eaton, Charlotte A. (Charlotte Anne)
History
Waterloo Days: The narrative of an Englishwoman resident at Brussels in June 1815
Eaton, Charlotte A. (Charlotte Anne)
Waterloo, Battle of, Waterloo, Belgium, 1815
Next day, after viewing the fortifications, which, although they had
been recently repaired by the English, could no longer stand the
long sieges which have made Ostend famous in history, we proceeded
to Bruges, walked about in the rain till late at night, to visit the
beautiful Hôtel de Ville, and other public buildings of that fine
old city; and rose early the next morning to see the churches of San
Sauveur and Notre Dame, and the magnificent tombs of Charles the
Bold and his daughter. Already the churches were crowded with pious
Catholics, whose attention was sadly distracted from their devotion by
our appearance: sometimes they whispered an Ave Maria with the utmost
fervency of prayer; and sometimes an half-uttered exclamation of wonder
burst from their lips; sometimes they resolutely resumed counting their
beads, and sometimes their eyes involuntarily rested on our foreign
figures with the broad stare of curiosity.
We left Bruges in the same bark which had once conveyed Napoleon
Buonaparte to that city, and which is now used as a côche d'eau. It
contained 150 people of every sort and description, from the courtiers
of Louis XVIII. down to Flemish peasants; all of whom, however, were
obliging, talkative, attentive, flattering, and amusing. After dining
on board, and spending a most entertaining day, we arrived in the
evening at Ghent.
The whole of Wednesday we spent in this ancient city, and though its
extent is so great as to have been the subject of a well-known imperial
quibble,[5] I believe we left but little of it unexplored. We visited
its magnificent cathedral, whose walls, pillars, roofs, columns, and
pulpits are formed of the richest polished marble of every varying
hue, and carved with exquisite skill; and whose sculptured ornaments,
the work of ages when the statuary's art was in high perfection,
seemed almost to start to life before our eyes. We explored the deep
sepulchral gloom of its subterranean church; visited the costly shrines
of all the saints; contemplated the ancient and decaying monasteries,
which were formerly its pride; made a most indefatigable research
after cabinets of paintings; and wandered with the utmost perseverance
through its abominable streets. We saw the balcony in which the monster
Vandamme, in the bloody times of the Revolution, used to stand, day
after day, to see victims led out, at his bidding, to the guillotine.
In its altered scenes, we now beheld loyal Bourbon beaux in gold
epaulettes, and smart Flemish belles, in French fashions, laughing and
flirting. We, like them, paraded in its gay promenade, and rambled
through the perfumed walks and exotic bowers of its beautiful Botanic
Garden. The City of Ghent seemed to be restored to some traces of its
ancient grandeur by the temporary residence of the Bourbon princes,
and the little expatriated court of Louis XVIII. I had never been able
to feel any extravagant degree of attachment to this unfortunate royal
Public-domain text, read in full here on John Shaqi.
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