Historical fiction, Scottish; Scotland -- In literature
CHAPTER THE SECOND.
_Othus_. ------------- This superb successor
Of the earth's mistress, as thou vainly speakest,
Stands midst these ages as, on the wide ocean,
The last spared fragment, of a spacious land,
That in some grand and awful ministration
Of mighty nature has engulfed been,
Doth lift aloft its dark and rocky cliffs
O'er the wild waste around, and sadly frowns
In lonely majesty.
CONSTANTINE PALEOLOGUS, _Scene I_.
Our scene in the capital of the Eastern Empire opens at what is termed
the Golden Gate of Constantinople; and it may be said in passing, that
this splendid epithet is not so lightly bestowed as may be expected
from the inflated language of the Greeks, which throws such an
appearance of exaggeration about them, their buildings, and monuments.
The massive, and seemingly impregnable walls with which Constantine
surrounded the city, were greatly improved and added to by Theodosius,
called the Great. A triumphal arch, decorated with the architecture of
a better, though already a degenerate age, and serving, at the same
time, as a useful entrance, introduced the stranger into the city. On
the top, a statue of bronze represented Victory, the goddess who had
inclined the scales of battle in favour of Theodosius; and, as the
artist determined to be wealthy if he could not be tasteful, the gilded
ornaments with which the inscriptions were set off, readily led to the
popular name of the gate. Figures carved in a distant and happier
period of the art, glanced from the walls, without assorting happily
with the taste in which these were built. The more modern ornaments of
the Golden Gate bore, at the period of our story, an aspect very
different from those indicating the "conquest brought back to the
city," and the "eternal peace" which the flattering inscriptions
recorded as having been extorted by the sword of Theodosius. Four or
five military engines, for throwing darts of the largest size, were
placed upon the summit of the arch; and what had been originally
designed as a specimen of architectural embellishment, was now applied
to the purposes of defence.
Public-domain text, read in full here on John Shaqi.
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