Historical fiction; Jacobite Rebellion, 1745-1746 -- Fiction; Scotland -- History -- 18th century -- Fiction
I was not, therefore, touched by the spur of ambition, usually
stimulating on such occasions; and yet I ought to stand exculpated from
the charge of ungracious or unbecoming indifference to public applause.
I did not the less feel gratitude for the public favour, although I did
not proclaim it; as the lover who wears his mistress’s favour in his
bosom is as proud, though not so vain, of possessing it as another who
displays the token of her grace upon his bonnet. Far from such an
ungracious state of mind, I have seldom felt more satisfaction than
when, returning from a pleasure voyage, I found “Waverley” in the
zenith of popularity, and public curiosity in full cry after the name
of the Author. The knowledge that I had the public approbation was like
having the property of a hidden treasure, not less gratifying to the
owner than if all the world knew that it was his own. Another advantage
was connected with the secrecy which I observed. I could appear or
retreat from the stage at pleasure, without attracting any personal
notice or attention, other than what might be founded on suspicion
only. In my own person also, as a successful author in another
department of literature, I might have been charged with too frequent
intrusions on the public patience; but the Author of “Waverley” was in
this respect as impassible to the critic as the Ghost of Hamlet to the
partisan of Marcellus. Perhaps the curiosity of the public, irritated
by the existence of a secret, and kept afloat by the discussions which
took place on the subject from time to time, went a good way to
maintain an unabated interest in these frequent publications. There was
a mystery concerning the Author which each new novel was expected to
assist in unravelling, although it might in other respects rank lower
than its predecessors.
I may perhaps be thought guilty of affectation, should I allege as one
reason of my silence a secret dislike to enter on personal discussions
concerning my own literary labours. It is in every case a dangerous
intercourse for an author to be dwelling continually among those who
make his writings a frequent and familiar subject of conversation, but
who must necessarily be partial judges of works composed in their own
society. The habits of self-importance which are thus acquired by
authors are highly injurious to a well-regulated mind; for the cup of
flattery, if it does not, like that of Circe, reduce men to the level
of beasts, is sure, if eagerly drained, to bring the best and the
ablest down to that of fools. This risk was in some degree prevented by
the mask which I wore; and my own stores of self-conceit were left to
their natural course, without being enhanced by the partiality of
friends or adulation of flatterers.
Public-domain text, read in full here on John Shaqi.
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