VOLUME II. I. LOSS OF A HORSE’S SHOE MAY BE A SERIOUS INCONVENIENCE II. AN EXAMINATION III. A CONFERENCE, AND THE CONSEQUENCE IV. A CONFIDANT V. THINGS MEND A LITTLE VI. A VOLUNTEER SIXTY YEARS SINCE VII. AN INCIDENT VIII. WAVERLEY IS STILL IN DISTRESS IX. A NOCTURNAL ADVENTURE X. THE JOURNEY IS CONTINUED XI. AN OLD AND A NEW ACQUAINTANCE XII. THE MYSTERY BEGINS TO BE CLEARED XIII. A SOLDIER’S DINNER XIV. THE BALL XV. THE MARCH XVI. AN INCIDENT GIVES RISE TO UNAVAILING REFLECTIONS XVII. THE EVE OF BATTLE XVIII. THE CONFLICT XIX. AN UNEXPECTED EMBARRASSMENT XX. THE ENGLISH PRISONER XXI. RATHER UNIMPORTANT XXII. INTRIGUES OF LOVE AND POLITICS XXIII. INTRIGUES OF SOCIETY AND LOVE XXIV. FERGUS A SUITOR XXV. “TO ONE THING CONSTANT NEVER” XXVI. A BRAVE MAN IN SORROW XXVII. EXERTION XXVIII. THE MARCH XXIX. THE CONFUSION OF KING AGRAMANT’S CAMP XXX. A SKIRMISH XXXI. CHAPTER OF ACCIDENTS XXXII. A JOURNEY TO LONDON XXXIII. WHAT’S TO BE DONE NEXT? XXXIV. DESOLATION XXXV. COMPARING OF NOTES XXXVI. MORE EXPLANATION XXXVII. XXXVIII. XXXIX. XL. XLI. DULCE DOMUM XLII. XLIII. A POSTSCRIPT WHICH SHOULD HAVE BEEN A PREFACE AUTHOR’S NOTES—Volume II. GLOSSARY—Volume II. List of Illustrations VOLUME I. PORTRAIT OF SIR WALTER SCOTT—_Painted by Raeburn, Etched by Batley_ ABBOTSFORD (FROM THE TWEED)—_Etched by D. Y. Cameron_ TULLY-VEOLAN—_Painted by W. J. Leitch, Etched by H. W. Batley_ “EH, SIRS!”—_Original Etching by George Cruickshank_ WAVERLEY AND ROSE BRADWARDINE—_Etched by Ben. Damman_ THE HOLD OF A HIGHLAND ROBBER—_Original Etching by R. W. Macbeth_ FLORA MAC-IVOR AT THE WATERFALL—_Original Etching by R. W. Macbeth_ VOLUME II. PRINCE CHARLES EDWARD IN SHELTER—_Etched by H. M. Raeburn_ STIRLING CASTLE—_Etched by John Andrew and Son_ BONNIE PRINCE CHARLIE—_Painted by Pettie, Etched by Raeburn_ COLONEL GARDINER—_Original Etching by H. Macbeth Raeburn_ DISBANDED—_Painted by John Pettie, Etched by F. Huth_ BAILIE MACWHEEBLE—_Painted by J. Lauder, Etched by H. Lefort_ “LADY WAUVERLEY! TEN THOUSAND A YEAR!”—_Etching by Cruickshank_ WAVERLEY’S LAST VISIT TO FLORA MAC-IVOR—_Painted by Herdman_ DOUNE CASTLE (FROM THE TEITH)—_Etched by John Andrew and Son_ [Illustration] EDITOR’S NOTE. The purpose of the added matter in this edition of the Waverley Novels—a reprint of the _magnum opus_ of 1829–1832—is to give to the stories their historical setting, by stating the circumstances in which they were composed and made their first appearance. Sir Walter’s own delightful Introductions, written hastily, as Lockhart says, and with a failing memory, have occasionally been corrected by Lockhart himself. His “Life of Scott” must always be our first and best source, but fragments of information may be gleaned from Sir Walter’s unpublished correspondence.