Historical fiction; Jacobite Rebellion, 1745-1746 -- Fiction; Scotland -- History -- 18th century -- Fiction
Upon the whole, it is hoped that the Waverley Novels, in their new
dress, will not be found to have lost any part of their attractions in
consequence of receiving illustrations by the Author, and undergoing
his careful revision.
ABBOTSFORD, _January_, 1829.
GENERAL PREFACE TO THE WAVERLEY NOVELS
And must I ravel out
My weaved-up follies?
Richard II, Act IV.
Having undertaken to give an Introductory Account of the compositions
which are here offered to the public, with Notes and Illustrations, the
Author, under whose name they are now for the first time collected,
feels that he has the delicate task of speaking more of himself and his
personal concerns than may perhaps be either graceful or prudent. In
this particular he runs the risk of presenting himself to the public in
the relation that the dumb wife in the jest-book held to her husband,
when, having spent half of his fortune to obtain the cure of her
imperfection, he was willing to have bestowed the other half to restore
her to her former condition. But this is a risk inseparable from the
task which the Author has undertaken, and he can only promise to be as
little of an egotist as the situation will permit. It is perhaps an
indifferent sign of a disposition to keep his word, that, having
introduced himself in the third person singular, he proceeds in the
second paragraph to make use of the first. But it appears to him that
the seeming modesty connected with the former mode of writing is
overbalanced by the inconvenience of stiffness and affectation which
attends it during a narrative of some length, and which may be observed
less or more in every work in which the third person is used, from the
Commentaries of Cæsar to the Autobiography of Alexander the
Corrector.(_a_)[*]
[* See Editor’s Notes at the end of the Volume. Wherever a similar
reference occurs, the reader will understand that the same direction
applies.]
Public-domain text, read in full here on John Shaqi.
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