Waves and ripples in water, air, and æther : $b Being a course of Christmas lectures delivered at the Royal Institution of Great BritainFleming, J. A. (John Ambrose), Sir
Science
Waves and ripples in water, air, and æther : $b Being a course of Christmas lectures delivered at the Royal Institution of Great Britain
Fleming, J. A. (John Ambrose), Sir
Electric waves; Sound; Waves
Thus a flutter is
excited in the air in the tube, which is maintained as long as there
is a blast of air across its mouth, and this communicates to the air
outside a wave-motion. We have, therefore, a musical note produced, the
wave-length of which is four times the length of the closed tube across
the mouth of which we are blowing. Accordingly, a very simple musical
instrument such as the pan-pipes consists of a row of tubes closed at
the bottom, the tubes being of different lengths. A current of air from
the mouth is blown across the tubes taken in a certain order, and we
can obtain a simple melody by that process of selection.
[Illustration: FIG. 57.—A closed organ-pipe.]
An organ-pipe is only a more perfect means for doing the same thing.
Organ-pipes may be either open or closed pipes. Also they have
either a reed or a flute at one end for the purpose of establishing
air-vibrations when a current of air is blown into the pipe. The form
of organ-pipe most easy to understand is the closed flute pipe. This
consists of a wooden tube closed at the upper end, and at the lower end
having a foot-tube and mouthpiece as shown in section in Fig. 57. When
a gentle current of air is blown in at the foot-tube, it impinges on
the sharp edge or chamfer of the mouthpiece, and it acts just as when
blown across the open end of a simple closed pipe. That is to say, it
sets up a state of alternate compression and expansion of the air in
the pipe. At the closed end, period-changes in density in the air are
established, but no great movement takes place. At the open end or
mouth there are no great changes of density, but the air is alternately
moving in and out at the mouthpiece. The steady blast of air against
the chamfer, therefore, sets up a state of steady oscillation of the
air in the pipe, the air being squeezed up and extended alternately
so that there is first a state of compression, and then a state of
partial rarefaction in the air at the closed end of the pipe. In this
case, also, the wave-motion communicated to the surrounding air has a
wave-length equal to four times the length of the pipe.
If we open the upper end of the pipe, it at once emits a note which has
a wave-length equal to double the length of the pipe. Hence the note
emitted by an open-ended organ-pipe is an octave higher than that given
out by a closed organ-pipe of the same length.
Public-domain text, read in full here on John Shaqi.
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