Waves and ripples in water, air, and æther : $b Being a course of Christmas lectures delivered at the Royal Institution of Great BritainFleming, J. A. (John Ambrose), Sir
Science
Waves and ripples in water, air, and æther : $b Being a course of Christmas lectures delivered at the Royal Institution of Great Britain
Fleming, J. A. (John Ambrose), Sir
Electric waves; Sound; Waves
The action of an open organ-pipe is not quite so easy to comprehend
as that of a closed pipe. The difficulty is to see how stationary air
waves can be set up in a pipe which is open at both ends. The easiest
way to comprehend the matter is as follows: When the blast of air
against the lip of the pipe begins to partially exhaust the air in it,
the rarefaction so begun does not commence everywhere in the pipe at
once. It starts from the mouthpiece end, and is propagated along the
pipe at a rate equal to the velocity of sound. The air at the open
ends of the pipe moves in to supply this reduced pressure, and, in so
doing, overshoots the mark, and the result is a region of compression
is formed in the central portions of the pipe (see Fig. 58). The
next instant this compressed air expands again, and moves out at the
two open ends of the pipe. We have thus established in the pipe an
oscillatory state which, at the central region of the pipe, consists
in an alternate compression and expansion or rarefaction of the air,
whilst at the open end and mouthpiece end there is an alternate rushing
in and rushing out of the air. Hence in the centre of the pipe we have
little or no movement of the air, but rapid alternations of pressure,
or, which is the same thing, density; and at the two ends little or no
change in density, but rapid movement of the air in and out of the pipe.
[Illustration: FIG. 58.—An open organ-pipe.]
An analogy between the vibration of the air in a closed and open
organ-pipe might be found in considering the vibration of an elastic
rod—first, when clamped at one end, and secondly, when clamped at the
two ends. The deflection of the rod at any point may be considered
to represent change of air-pressure, and the fixed point or points
the open end of the pipe at which there can be no change of density,
because there it is in close communication with the open air outside
the pipe. It is at once evident that the length of the open organ-pipe,
when sounding its fundamental tone, is one-half of the length of the
air wave it produces. Accordingly, from the formula, _wave-velocity_ =
_frequency_ × _wave-length_, we see that, since the velocity of sound
at ordinary temperature is about 1120 feet per second, an approximate
rule for obtaining the frequency of the vibrations given out by an open
organ-pipe is as follows:—
_Frequency_ = 1120 _divided by twice the length of pipe_.
We say _approximate_, because, as a matter of fact, for a reason rather
too complicated to explain here, the wave-length of the air-vibrations
is equal to rather more than double the length of the pipe. In fact,
what we may call the effective length of the pipe is equal to its real
end-to-end length increased by a fraction of its diameter, which is
very nearly four-fifths.
[Illustration: FIG. 59.]
Public-domain text, read in full here on John Shaqi.
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