Waves and ripples in water, air, and æther : $b Being a course of Christmas lectures delivered at the Royal Institution of Great Britain — John Shaqi
Waves and ripples in water, air, and æther : $b Being a course of Christmas lectures delivered at the Royal Institution of Great BritainFleming, J. A. (John Ambrose), Sir
Science
Waves and ripples in water, air, and æther : $b Being a course of Christmas lectures delivered at the Royal Institution of Great Britain
Fleming, J. A. (John Ambrose), Sir
Electric waves; Sound; Waves
A very similar effect can be produced, and another illustration given
of a wave-motion, as follows: Coil a piece of brass wire into an
open spiral like a corkscrew, and affix to it a small fragment of
sealing-wax (see Fig. 5). Hold this in the sun, and let the shadow of
it fall upon paper. Then turn it round like a screw. We shall see that
the shadow of the spiral is a wavy line, and that, as it is turned
round, the humps appear to move along just as do the crests of sea
waves, but that the shadow of the little bit of sealing-wax simply
moves up and down. Another wave-motion model may be made as follows:
Procure a _painter’s comb_. This is a thin steel plate, cut into long
narrow teeth. Provide also a slip of glass about 3 inches wide and 12
inches long. Paint one side of this glass with black enamel varnish,
and when it is quite dry scratch a wavy line upon it (see Fig. 6).
Place the glass slip close in front of the comb before the light, and,
holding the comb still, move the glass slip to and fro, lengthways.
The observer will see a row of dots of light lying in a wavy line, and
these, as the glass moves, will rise and fall. If the movement is
rapid enough, the appearance of a wave moving along will be seen.[4]
In all these exhibitions of wave-motion the movement of the particles
is due to a common cause, but the moving particles do not control each
other’s motion. There is no connection or tie between them. Suppose,
however, that we suspend a series of heavy balls like pendulums, and
interconnect them by elastic threads (see Fig. 7), then we have an
arrangement along which we can propagate a true wave. Draw the end
ball to one side, and notice what takes place when it is released.
The first ball, being displaced, pulls the second one through a less
distance, and that the third one, and the third the fourth, and so on.
This happens because the balls are tied together by elastic threads,
which resist stretching. When the first ball is released, it is pulled
back by the tension of the thread connecting it to its neighbours, and
it begins to return to its old position. The ball possesses, however,
a quality called _inertia_, and accordingly, when once set in motion,
its motion persists until an opposing force brings it to rest. Hence
the returning ball overshoots the mark, and passes to the opposite
side of its original position of rest. Then, again, this displacement
stretches the elastic threads connecting it to its fellows, and a
controlling or retarding force is thus created, which brings it to
rest, and forces it again to return on its steps. We see, therefore,
that each ball must oscillate, or swing to and fro, and that its
movement is gradually communicated to its neighbours. A wave-motion is
thus started, and a true wave is propagated along the line of balls,
in consequence of the presence of _elasticity_ and _inertia_. The
necessary conditions for the production of a true wave in a medium of
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