'way down in Lonesome Cove: 1895Craddock, Charles Egbert
General
'way down in Lonesome Cove: 1895
Craddock, Charles Egbert
Fiction
The sheriffs dog, a great yellow cur, trotted in the rear. When the
officer was first elected, this animal, observing the change in his
master's habits, deduced his own conclusions. He seemed to think the
court-house belonged to the sheriff, and thenceforward guarded the door
with snaps and growls; being a formidable brute, his idiosyncrasies
invested the getting into and getting out of law with abnormal
difficulties. Now, as he followed the disconsolate jury, he bore the
vigilant mien with which he formerly drove up the cows, and if a juror
loitered or stepped aside from the path, the dog made a slow detour as
if to round him in, and the melancholy cortege wandered on as before.
More than one looked wistfully at the group on the crag, for it was
distinguished by that sprightly interest which scandal excites so
readily.
“Ter my way of thinking” drawled Sam Peters, swinging his feet over the
giddy depths of the valley, “Tobe ain't sech ez oughter be set over the
county ez a ranger, noways. 'Pears not ter me, an' I hev been keepin' my
eye on him mighty sharp.”
A shadow fell among the group, and a man sat down on a bowlder hard by.
He, too, had just arrived, being lured to the town by the news of the
fire. His slide had been left at the verge of the clearing, and one of
the oxen had already lain down; the other, although hampered by the yoke
thus diagonally displaced, stood meditatively gazing at the distant blue
mountains. Their master nodded a slow, grave salutation to the group,
produced a plug of tobacco, gnawed a fragment from it, and restored it
to his pocket. He had a pensive face, with an expression which in a man
of wider culture we should discriminate as denoting sensibility. He had
long yellow hair that hung down to his shoulders, and a tangled yellow
beard. There was something at once wistful and searching in his gray
eyes, dull enough, too, at times. He lifted them heavily, and they had
a drooping lid and lash. There seemed an odd incongruity between this
sensitive, weary face and his stalwart physique. He was tall and well
proportioned. A leather belt girded his brown jeans coat. His great
cowhide boots, were drawn to the knee over his trousers. His pose, as he
leaned on the rock, had a muscular picturesque-ness.
“Who be ye a-talkin' about?” he drawled.
Peters relished his opportunity. He laughed in a distorted fashion, his
pipe-stem held between his teeth.
“_You-uns_ ain't wantin' ter swop lies 'bout sech ez him, Luke! We war
a-talkin' 'bout Tobe Gryce.”
The color flared into the new-comer's face. A sudden animation fired his
eye.
“Tobe Gryce air jes the man I'm always wantin' ter hear a word about.
Jes perceed with yer rat-killin'. I'm with ye.” And Luke Todd placed his
elbows on his knees and leaned forward with an air of attention.
Peters looked at him, hardly comprehending this ebullition. It was not
what he had expected to elicit. No one laughed. His fleer was wide of
the mark.
Public-domain text, read in full here on John Shaqi.
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