Then, if to the time and the place one could only add the association, or hear the bird through the vista of the years, the song touched with the magic of youthful memories! One season a friend in England sent me a score of skylarks in a cage. I gave them their liberty in a field near my place. They drifted away, and I never heard them or saw them again. But one Sunday a Scotchman from a neighboring city called upon me, and declared with visible excitement that on his way along the road he had heard a skylark. He was not dreaming; he knew it was a skylark, though he had not heard one since he had left the banks of the Doon, a quarter of a century or more before. What pleasure it gave him! How much more the song meant to him than it would have meant to me! For the moment he was on his native heath again. Then I told him about the larks I had liberated, and he seemed to enjoy it all over again with renewed appreciation. Many years ago some skylarks were liberated on Long Island, and they became established there, and may now occasionally be heard in certain localities. One summer day a friend of mine was out there observing them; a lark was soaring and singing in the sky above him. An old Irishman came along, and suddenly stopped as if transfixed to the spot; a look of mingled delight and incredulity came into his face. Was he indeed hearing the bird of his youth? He took off his hat, turned his face skyward, and with moving lips and streaming eyes stood a long time regarding the bird. "Ah," my friend thought, "if I could only hear that song with his ears!" How it brought back his youth and all those long-gone days on his native hills! The power of bird-songs over us is so much a matter of association that every traveler to other countries finds the feathered songsters of less merit than those he left behind. The stranger does not hear the birds in the same receptive, uncritical frame of mind as does the native; they are not in the same way the voices of the place and the season. What music can there be in that long, piercing, far-heard note of the first meadowlark in spring to any but a native, or in the "o-ka-lee" of the red-shouldered starling as he rests upon the willows in March? A stranger would probably recognize melody and a wild woodsy quality in the flutings of the veery thrush; but how much more they would mean to him after he had spent many successive Junes threading our northern trout-streams and encamping on their banks! The veery will come early in the morning, and again at sundown, and perch above your tent, and blow his soft, reverberant note for many minutes at a time. The strain repeats the echoes of the limpid stream in the halls and corridors of the leafy woods.