Love stories, American; West (U.S.) -- Social life and customs -- Fiction; Western stories
"Oh!" she gasped, with quick, indrawn breath. "Who?"
"Don't be ungrammatical, whatever you do. She's a cashier in a
restaurant, and she's a fine girl," he added steadily, as if combating a
prejudice. He forgot for the moment that such prejudices did not exist
in Cyene.
Sis was instantly tender, and very, very serious.
"Of course she is, or you wouldn't care for her. Oh, I'd like to see
her!"
"I'll take you up some day and show her to you."
"Oh, will you? Oh, when can I go?" She was smit into gravity again. "Not
till the teacher is well."
Herman pretended to be angry. "Dog take the teacher, the old
spindle-legs! If I'd known he was going to raise such a ruction in our
quiet and peaceful neighborhood, I never would have brought him here."
Mattie did not laugh; she pondered. She never quite understood her
brother when he went off on those queer tirades, which might be a joke
or an insult. He had grown away from her in his city life.
They rode on in silence the rest of the way, except now and then an
additional question from Mattie concerning his sweetheart.
As they neared the farmhouse she lost interest in all else but the
condition of the young minister. They could see the light burning dimly
in his room, and in the parlor and kitchen as well, and this unusual
lighting stirred the careless young man deeply. It was associated in
his mind with death and birth, and also with great joy.
The house was lighted so the night his elder brother died, and it looked
so to him when he whirled into the yard with the doctor when Mattie was
born.
"Oh, I hope he isn't worse!" said the girl, with deep feeling.
Herman put his arm about her, and she knew he knew.
"So do I, sis."
Allen came to the door as they drove in, and the careless boy realized
suddenly the emotional tension his father was in. As the old man came to
the sleigh-side he could not speak. His fingers trembled as he took the
outstretched hand of his boy.
Herman's voice shook a little:
"Well, dad, Mattie says the war is over."
The old man tried to speak, but only coughed and then he blew his nose.
At last he said, brokenly:
"Go right in; your mother's waitin'."
It was singularly dramatic to the youth. To come from the careless,
superficial life of his city companions into contact with such primeval
passions as these, made him feel like a spectator at some new and
powerful and tragic play.
His mother fell upon his neck and cried, while Mattie stood by pale and
anxious. Inside the parlor could be heard the mumble of men's voices.
Public-domain text, read in full here on John Shaqi.
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