He made a rapid survey of the place with his keen eyes. Then he mapped
out the foundation of the building by driving the heel of his boot into
the green sod. He stepped back among the beech trees and looked out at
the outlined site of the building. He saw it all growing up in his
mind's eye, at first a rough block, a mere shell, a little uncertain and
unsatisfactory. Then the uncertainties were lopped off, the building
took shape, touch after touch was added. Long shadows spread out from
the trees and wrapped the fields. Stars came out in the sky. But Martin
Cosgrave never noticed these things. The building was growing all the
time. There was a firm grasp of the general scheme, a realisation of
what the building would evolve that no other building ever evolved, what
it would proclaim for all time. The passing of the day and the stealth
of the night could not claim attention from a man who was living over a
dream that was fashioning itself in his mind, abandoning himself to the
joy or his creation, dwelling longingly upon the details of the
building, going over and, as it were, feeling it in every fibre, jealous
of the effect of every stone, tracing the trend and subtlety of every
curve, seeing how one touch fitted in and enhanced the other and how all
carried on the meaning of the whole.
When he came down from the hill there was a spring in Martin Cosgrave's
step. He swung his arms. The blood was coursing fast through his veins.
His eyes were glowing. He would need to make a map of the building. It
was all burned clearly into his brain.
From under the bed of his cabin he pulled out the wooden box. It had not
been opened since he had fetched it from the far town. He held his
breath as he threw open the lid. There they lay, the half-forgotten
symbols of his old life. Worn mallets, chisels, the head of a broken hod
with the plaster still caked into it, a short broad shovel for mixing
mortar, a trowel, a spirit level, a plumb, all wrapped loosely in a worn
leather apron. He took the mallets in his hand and turned them about
with the quick little jerks that came so naturally to him. Strength for
the work had come into his arms. All the old ambitions which he thought
had been stifled with his early manhood sprang to life again.
As he lay in his bed that night Martin Cosgrave felt himself turning
over and over again the words in the letter which Rose Dempsey had sent
to her aunt, Ellen Miscal, from America. "Tell Martin Cosgrave," the
letter read, "that I will be back home in Kilbeg by the end of the
spring. If he has no wish for any other girl I am willing to settle
down." Beyond the announcement that her sister Sheela would be with her
for a holiday, the letter "brought no other account." But what an
account it had brought to Martin Cosgrave! The fields understood--the
building would proclaim.
Public-domain text, read in full here on John Shaqi.
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