Early in the morning Martin Cosgrave went down to Ellen Miscal to tell
her what to put in the letter that was going back to Rose Dempsey in
America. Martin Cosgrave walked heavily into the house and stood with
his back against the dresser. He turned the soft black hat about in his
hands nervously and talked like one who was speaking sacred words.
"Tell her," he said, "that Martin Cosgrave had no thought for any other
person beyond herself. Tell her to be coming back to Kilbeg. Tell her
not to come until the late harvest."
Ellen Miscal, who sat over the sheet of writing paper on the table,
looked up quickly as he spoke the words. As she did so she was conscious
of the new animation that vivified the idealistic face of Martin
Cosgrave. But he did not give her time to question him.
"I have my own reasons for asking her to wait until the harvest," he
said, with some irritation.
He stayed at the dresser until Ellen Miscal had written the letter. He
carried it down to the village and posted it with his own hand, and he
went and came as gravely as if he had been taking part in some solemn
ritual.
II
That day the building was begun. Martin Cosgrave tackled the donkey and
drew a few loads of limestone from the nearby quarry. Some of the
neighbours who came his way found him a changed man, a silent man with
his eager face set, a man in whose eyes a new light shone, a quiet man
of the fields into whose mind a set purpose had come. He struggled up
the road with his donkey-cart, his hand gripping the shaft to hasten the
steps of the slow brute, his limbs bent to the hill, his head down at
the work. By the end of the week a pile of grey-blue stones was heaped
up on the crest of the hill. The walls of the fields had been broken
down to make a carway. Late into the night when the donkey had been fed
and tethered the neighbours would see Martin Cosgrave moving about the
pile of grey-blue stones, sorting and picking, arranging in little
groups to have ready to his hands. "A house he is going to put up on the
hill," they would say, lost in wonder.
The spring came, and with it all the strenuous work on the land. But
Martin Cosgrave went on with the building. The neighbours shook their
heads at the sight of neglect that was gathering about his holding; they
said it was flying in the face of Providence when Martin Cosgrave weaned
all the lambs from the ewes one day, long before their time, and sold
them at the fair to the first bidder that came his way. Martin Cosgrave
did so because he wanted money and was in a hurry to get back to his
building.
"What call has a man to be destroying himself like that?" the neighbours
asked each other.
Public-domain text, read in full here on John Shaqi.
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