The farmer who turned the sod a few fields away laboured in the damp atmosphere of growing things, his mind filled with thoughts of bursting seeds and teeming barns. He shook his head at sight of Martin Cosgrave above on the hill bent all day over hard stones; whenever he looked up he only caught the glint of a trowel, or heard the harsh grind of a chisel. But Martin Cosgrave took no stock of the men reddening the soil beneath him. Whenever his eyes travelled down the hillside he only saw the flock of crows that hung over the head of the digger. The study of the veins of limestone that he turned in his hands, the slow moulding of the crude shapes to their place in the building, the rhythm and swing of the mallet in his arm, the zest with which he felt the impact of the chisel on the stone, the ring of forging steel, the consciousness of mastery over the work that lay to his hands--these were the things that seemed to him to give life a purpose and man a destiny. He would whistle a tune as he mixed the mortar with the broad shovel, for it gave him a feeling of the knitting of the building with the ages. He pitied the farmer who looked helplessly upon his corn as it was beaten to the ground by the first storm that blew from the sea; he was upon a work that would withstand the storms of centuries. The scent of lime and mortar greeted his nostrils. When he moved about the splinters crunched under his feet. Everything around him was hard and stubborn, but he was the master of it all. In his dreams in the night he would reach out his hands for the feel of the hard stone, a burning desire in his breast to put it into shape, to give it nobility in the scheme of a building. It was while Martin Cosgrave walked through the building that Ellen Miscal came to him with the second letter from America. The carpenter was hammering at something below. The letter said that Rose Dempsey and her sister, Sheela, would be home in the late harvest. "With all I saw since I left Kilbeg," Rose Dempsey wrote, "I never saw one that I thought as much of as Martin Cosgrave." When Ellen Miscal left him, Martin Cosgrave stood very quietly looking through the cut-stone tracery window. The beech trees were swaying slowly outside. Their music was in his ears. Then he remembered that he was standing in the room where he would take Rose Dempsey in his arms. It was here he would tell her of all the bitter things he had locked up in his heart when she had gone away from him. It was here he would tell her of the day of resurrection, when all the bitter thoughts had burst into flower at the few words that told of her return. It was that day of great tumult within him that thought of the building had come into his mind. When Martin Cosgrave walked out of the room the carpenter and a neighbour boy were arguing about something at the foot of the stairs. "It's too steep, I'm telling you," the boy was saying. "What do you know about it?"