Martin Cosgrave knew what the neighbours were saying about him. But what
did he care? What thought had any of them for the heart of a builder?
What did any of them know beyond putting a spade in the clay and waiting
for the seasons to send up growing things from the seed they scattered
by their hands? What did they know about the feel of the rough stone in
the hand and the shaping of it to fit into the building, the building
that day after day you saw rising up from the ground by the skill of
your hand and the art of your mind? What could they in Kilbeg know of
the ship that would plough the ocean in the harvest bearing Rose Dempsey
home to him? For all their ploughing and their sowing, what sort of a
place had any of them led a woman into? They might talk away. The joy of
the builder was his. The beech trees that made music all day beside the
building he was putting up to the sight of all the world had more
understanding of him than all the people of the parish.
Martin Cosgrave had no help. He kept to his work from such an early hour
in the morning until such a late hour of the night that the people
marvelled at his endurance. But as the work went on the people would
talk about Martin Cosgrave's building in the fields and tell strangers
of it at the markets. They said that the like of it had never been seen
in the countryside. It was to be "full of little turrets and the finest
of fancy porches and a regular sight of bulging windows." One day that
Martin Cosgrave heard a neighbour speaking about the "bulging windows"
he laughed a half-bitter, half-mocking laugh.
"Tell them," he said, "that they are cut-stone tracery windows to fit in
with the carved doors." These cut-stone windows and carved doors cost
Martin Cosgrave such a length of time that they provoked the patience of
the people. Out of big slabs of stone he had worked them, and sometimes
he would ask the neighbours to give him a hand in the shifting of these
slabs. But he was quick to resent any interference. One day a
stone-cutter from the quarry went up on the scaffold, and when Martin
Cosgrave saw him he went white to the lips and cursed so bitterly that
those standing about walked away.
When the shell of the building had been finished Martin Cosgrave hired a
carpenter to do all the woodwork. The woodwork cost money. Martin
Cosgrave did not hesitate. He sold some of his sheep, sold them
hurriedly, and as all men who sell their sheep hurriedly, he sold them
badly. When the carpentry had been finished, the roofing cost more
money. One day the neighbours discovered that all the sheep had been
sold. "He's beggared now," they said.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account