“Three dollars.” “I'll take it.” Miss Havender accepted the inevitable, gave her the address of the studio--far up-town in the Bronx--and told her to report at eight the next morning. Kedzie went back to her home in a new mood. She was the breadwinner now, if not a cake-earner. Gilfoyle was depressed by her good news, and she was indignant because he was not happy. The poor fellow was simply ashamed of his own inability to support her in the style she had been accustomed to dreaming about. Kedzie was sullen at having to get the dinner that night. The hot water would not help to give her hands the ballroom texture. The next morning she had to leave early. Gilfoyle was too tired of doing nothing to get up, and she resolved to buy her breakfast ready-made outside. Her last glance at her husband with his frowsy hair on his frowsy pillow infuriated her. The experience at the big studio assuaged her wrath against life. It was something new, and there was a thrill in the concerted action of the crowds. She wore a rented ball-gown which did not fit her. Seeing how her very shoulders winced at their exposure, one would not have believed that she was a graduate of the Silsby school of near to nature in next to nothing. She danced with an extra man, Mr. Clarence Yoder, a portly actor out of work. He was a costume-play gentleman, and Kedzie thought him something grand. He found her an entrancing armload. He was rather aggressive and held her somewhat straitly to his exuberant form, but he gave her so much information that she did not snub him. She did not even tell him that she was married. Indeed, when at the close of a busy day he hinted at a willingness to take her out to see a picture that evening, she made other excuses than those that actually prevented her accepting. She spent a doleful evening at home with her dour husband and resented him more than ever. On the second day Kedzie was a slum waif and did not like it. She pouted with a sincerity that was irresistible. Mr. Ferriday did not direct the crowd scenes in these pictures. His assistant, Mr. Garfinkel, was the slave-driver. Mr. Yoder cleverly called him “Simon Legree.” Kedzie did not know who Mr. Legree was, but she laughed because Mr. Yoder looked as if he wanted her to laugh, and she had decided that he was worth cultivating. During the course of the day, however, Mr. Garfinkel fell afoul of Mr. Yoder because of the way he danced with Kedzie. It was a rough dance prettily entitled “Walking the Dog.” Mr. Yoder, who did a minuet in satin breeches to his own satisfaction, pleased neither himself nor Mr. Garfinkel in the more modern expression of the dancer's art. Mr. Garfinkel called him a number of names which Mr. Yoder would never have tolerated if he had not needed the money. He quivered with humiliation and struggled to conform, but he could not please the sneering overseer. He sought the last resort of those persecuted by critics: “Maybe you can do better yourself!”