To her surprise she found that Tom had not gone to bed. He was still
toiling away at his desk with a towel round his head; she could almost
have smiled at the ludicrous mixture of grief and sleepiness on his
face, had not her own heart been so loaded with care and sadness. The
post brought in what Tom described as “bushels” of letters every day,
and he was working away at them now with sleepy heroism.
“How tired you look,” said Erica. “See! I have brought in this for the
'Idol.'”
“You've been writing it now! That is good of you. I was afraid we should
have to make up with some wretched padding of Blank's.”
He took the sheets from her and began to read. Laughter is often only
one remove from grief, and Tom, though he was sad-hearted enough, could
not keep his countenance through Erica's article. First his shoulders
began to shake, then he burst into such a paroxysm of noiseless laughter
that Erica, fearing that he could not restrain himself, and would be
heard in the sick-room, pulled the towel from his forehead over his
mouth; then, conquered herself by the absurdity of his appearance, she
was obliged to bury her own face in her hands, laughing more and more
whenever the incongruousness of the laughter occurred to her. When they
had exhausted themselves the profound depression which had been the real
cause of the violent reaction returned with double force. Tom sighed
heavily and finished reading the article with the gravest of faces. He
was astonished that Erica could have written at such a time an article
positively scintillating with mirth.
“How did you manage anything so witty tonight of all nights?” he asked.
“Don't you remember Hans Andersen's clown Punchinello,” said Erica. “He
never laughed and joked so gayly as the night when his love died and his
own heart was broken.”
There was a look in her eyes which made Tom reply, quickly: “Don't write
any more just now; the professor has promised us something for next
week. Don't write any more till till the chieftain is well.”
After that she wished him good night rather hastily, crept upstairs to
her attic, and threw herself down on her bed. Why had he spoken of the
future? Why had his voice hesitated? No, she would not think, she would
not.
So the article appeared in that week's “Idol-Breaker”, and thousands and
thousands of people laughed over it. It even excited displeased comment
from “the other side,” and in many ways did a great deal of what in
Guilford Terrace was considered “good work.” For Erica herself, it was
long before she had time to give it another thought; it was to her only
a desperately hard duty which she had succeeded in doing. Nobody every
guessed how much it had cost her.
Public-domain text, read in full here on John Shaqi.
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