Wearily shifting her position, she looked across to the other side of the carriage, and saw, as if in a picture, her father. Raeburn was a comparatively young man, very little over forty; but his anxieties and the almost incredible amount of hard work of the past two years had told upon him, and had turned his hair gray. There was something in his stern set face, in the strong man's reserved grief, in the pose of his grand-looking head, dignified, even in exhaustion, that was strangely pathetic. Erica scarcely seemed to realize that he was her father. It was more as if she were gazing at some scene on the stage, or on a wonderfully graphic and heart-stirring picture. The pathos and sadness of it took hold of her; she burst into a passion of tears, turned her face from the light, and cried as if no power on earth could ever stop her, her long-drawn sobs allowed to go unchecked since the noise of the train made them inaudible. She was so little given to tears, as a rule, that now they positively frightened her, nor could she understand how, with a real and terrible grief for which she could not weep, the mere pathetic sight should have brought down her tears like rain. But the outburst brought relief with it, for it left her so exhausted that for a brief half hour she slept, and awoke just before they reached London, with such a frightful headache that the physical pain numbed the mental. “How soon shall we be--” home she would have said, but the word choked her. “How soon shall we get there?” she asked faintly. She was so ill, so weary, that the mere thought of being still again--even in the death-visited home--was a relief, and she was really too much worn out to feel very acutely while they drove through the familiar streets. At last, early in the cold, new year's morning, they were set down in Guilford Square, at the grim entrance to Persecution Alley. She looked round at the gray old houses with a shudder, then her father drew her arm within his, and led her down the dreary little cul-de-sac. There was the house, looking the same as ever, and there was Aunt Jean coming forward to meet them, with a strange new tenderness in her voice and look, and there was Tom in the background, seeming half shy and afraid to meet her in her grief, and there, above all, was the one great eternal void. To watch beside the dying must be anguish, and yet surely not such keen anguish as to have missed the last moments, the last farewells, the last chance of serving. For those who have to come back to the empty house, the home which never can be home again, may God comfort them--no one else can.