Naturalism, as through a slight misunderstanding it is generally called, is the point of view taken by the Philistine in literature. In Germany it is through naturalism especially that the bourgeois spirit tries to become literary. These “authors” seem to say: “We cannot afford to waste anything, we have no superfluities, and we must do our best to succeed. Neither can we afford to give, we would sooner accept from others. For Heaven’s sake leave us in peace with your problems, and with the woman-problem in particular. As a matter of fact there is no such thing as a woman-problem, there are washer-women, and there are Christian mothers, and of course there are family quarrels and hereditary peculiarities, just as there are free unions which end badly. Once we saw a girl student who fell in love--but in quite a sisterly fashion--with a book, and therefore we have the right to maintain that we understand women. We also knew a socialist who married a baron after having presided for many years over a mantle warehouse. And one of our young girls actually went off on the spot with the very first young man whose acquaintance she made; but it did very well on the stage. We describe life exactly as we understand it, and everything that we do not understand is false and fantastical. Women are a useful institution as wives and readers, but in other ways they are as useless and insignificant as ourselves.” Authors are the most conspicuous feature of any given period. When they are not great precursors, they are like the little house-masters of a school--a rather more presentable example of the whole class whom they affect to despise. What the little house-masters despise most is the populace. But then Tolstoy and Strindberg despise it also--the former the Christians, the latter the Atheists. Ours, which is the plebeian age _par préférence_, makes the same enquiry about everything that is brought under its notice: “Of what use is it to me?” And even the women are judged from this point of view. The man of this weary, utilitarian age is half a decadent and half a barbarian. What does he want with the superior woman? Nothing, of course. She is merely an annoyance to him, a burden. If he is enterprising, he marries a well-filled purse; if he has an affectionate disposition, he marries a wife of his own class. The more cultured, more highly developed women are thrust on one side, nay more, they are starved. They have a gnawing at the heart, a rankling distrust of happiness, of love, and of men in particular. They are driven to seek for consolation in their mutual affection for one another, and they refuse to have anything more to do with men.