stultified with knitting, and it was they who became the discontented ones, who felt themselves thwarted and driven to despair by hopes doomed to disappointment; and these natures were among the first to go forth into the world, determined to become independent in order that they might find themselves, to become free, in order that their ego might speak. If they had a real talent of any sort or kind they were sometimes able to work out their own self-development; but how many women, and many of the best women too, have only the one talent, and that is their warm-hearted womanly nature. It was just this that was a hindrance to them, that prevented them from elbowing their way out of their narrow, gloomy surroundings, and prevented them from attaining to anything higher than a teacher or governess, or some such position of dependence which necessitates a loveless and celibate youth--and they were not happy. Or else they married as best they could in their small circle of acquaintances--and were not happy either. Some of these unhappy ones became the pioneers of emancipation, and stamped it with their hallmark. In the meantime the image of the woman in the author’s soul underwent a surprising and rapid change. The spirit of gallantry towards women with which the classics were imbued had soon disappeared. The writers of young Germany were already too much occupied in revolutionising the woman to do homage to her, and they had to be quick about it, for their own feverish spirits warned them that their reprieve was short. They drove her before them and rebuked her, saying that she was too timid and too luxurious to keep pace with them; they felt as in a wilderness without her, yet they had not the strength to drag her after them. They longed for her that she might rouse them and comfort them, and they found the time pass wearily for both. They aroused the woman, awoke her out of a condition of vegetative ease, shook her personality awake, taught her to be discontented, to wish, to think, but they gave her nothing, and mirrored her indistinctly in their books. The first to possess what they lacked was Gottfried Keller, and he possessed it unmistakably. No German writer has ever given us a truer, finer, more complete picture of the German woman. We meet with his models everywhere in life, whether it be in the great world, or in small towns, or in lonely country houses. The woman who is good _comme le bon pain_, simple, honest, warm-hearted, merry, motherly, the woman who is generous as the fruitful earth, who understands everything from instinct, and who grows more submissive the more she loves--it is the temperament of the German woman in short, with all its native conditionality and indissolubility, with its homely attractions, its domestic bondage, and also with its little and all too simple perversities.