English drama -- 17th century; English drama -- Early modern and Elizabethan, 1500-1600
_D'Am._ Sir, his affection's sound
Though he be sick in body.
_Rous._ Sick indeed.
A general weakness did surprise my health
The very day I married Castabella,
As if my sickness were a punishment
That did arrest me for some injury
I then committed. Credit me, my love,
I pity thy ill fortune to be matched
With such a weak, unpleasing bedfellow.
_Cast._ Believe me, sir, it never troubles me.
I am as much respectless to enjoy
Such pleasure, as ignorant what it is.
_Charl._ Thy sex's wonder. Unhappy Charlemont!
_D'Am._ Come, let's to supper. There we will confirm
The eternal bond of our concluded love. [_Exeunt._
ACT THE FOURTH.
SCENE I.--_A Room in_ CATAPLASMA'S _House._
_Enter_ CATAPLASMA _and_ SOQUETTE _with needlework._
_Cata._ Come, Soquette, your work! let's examine your work. What's
here? a medlar with a plum tree growing hard by it; the leaves o' the
plum tree falling off; the gum issuing out o' the perished joints; and
the branches some of 'em dead, and some rotten; and yet but a young
plum tree. In good sooth very pretty.
_Soqu._ The plum tree, forsooth, grows so near the medlar that the
medlar sucks and draws all the sap from it and the natural strength o'
the ground, so that it cannot prosper.
_Cata._ How conceited you are![164] But here th'ast made a tree to bear
no fruit. Why's that?
_Soqu._ There grows a savin tree next it, forsooth.[165]
_Cata._ Forsooth you are a little too witty in that.
_Enter_ SEBASTIAN.
_Sebas._ But this honeysuckle winds about this white thorn very
prettily and lovingly, sweet Mistress Cataplasma.
_Cata._ Monsieur Sebastian! in good sooth very uprightly welcome this
evening.
_Sebas._ What, moralizing upon this gentlewoman's needlework? Let's see.
_Cata._ No, sir. Only examining whether it be done to the true nature
and life o' the thing.
Public-domain text, read in full here on John Shaqi.
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