English drama -- 17th century; English drama -- Early modern and Elizabethan, 1500-1600
_Sebas._ Here y' have set a medlar with a bachelor's button o' one
side and a snail o' the tother. The bachelor's button should have held
his head up more pertly towards the medlar: the snail o' the tother
side should ha' been wrought with an artificial laziness, doubling his
tail and putting out his horn but half the length. And then the medlar
falling (as it were) from the lazy snail and ending towards the pert
bachelor's button, their branches spreading and winding one within
another as if they did embrace. But here's a moral. A poppring[166]
pear tree growing upon the bank of a river seeming continually to look
downwards into the water as if it were enamoured of it, and ever as the
fruit ripens lets it fall for love (as it were) into her lap. Which
the wanton stream, like a strumpet, no sooner receives but she carries
it away and bestows it upon some other creature she maintains, still
seeming to play and dally under the poppring so long that it has almost
washed away the earth from the root, and now the poor tree stands as
if it were ready to fall and perish by that whereon it spent all the
substance it had.
_Cata._ Moral for you that love those wanton running waters.
_Sebas._ But is not my Lady Levidulcia come yet?
_Cata._ Her purpose promised us her company ere this. Sirrah, your lute
and your book.
_Sebas._ Well said. A lesson o' the lute, to entertain the time with
till she comes.
_Cata. Sol, fa, mi, la.--Mi, mi, mi._--Precious! Dost not see _mi_
between the two crotchets? Strike me full there.--So--forward. This is
a sweet strain, and thou finger'st it beastly. _Mi_ is a _laerg_[167]
there, and the prick that stands before _mi_ a long; always halve your
note.--Now--Run your division pleasingly with these quavers. Observe
all your graces i' the touch.--Here's a sweet close--strike it full; it
sets off your music delicately.
_Enter_ LANGUEBEAU SNUFFE _and_ LEVIDULCIA.
_Lang._ Purity be in this house.
_Cata._ 'Tis now entered; and welcome with your good ladyship.
_Sebas._ Cease that music. Here's a sweeter instrument.
_Lev._ Restrain your liberty. See you not Snuffe?
_Sebas._ What does the stinkard here? put Snuffe out. He's offensive.
_Lev._ No. The credit of his company defends my being abroad from the
eye of suspicion.
_Cata._ Wilt please your ladyship go up into the closet? There are
those falls and tires[168] I told you of.
_Lev._ Monsieur Snuffe, I shall request your patience. My stay will not
be long. [_Exit with_ SEBASTIAN.
Public-domain text, read in full here on John Shaqi.
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