English drama -- 17th century; English drama -- Early modern and Elizabethan, 1500-1600
_Fran. de Med._ An hour 'fore day. [_Exit_ ZANCHE.
O strange discovery! why, till now we knew not
The circumstance of either of their deaths.
_Re-enter_ ZANCHE.
_Zanche._ You'll wait about midnight in the chapel?
_Fran. de Med._ There. [_Exit_ ZANCHE.
_Lod._ Why, now our action's justified.
_Fran. de Med._ Tush for justice!
What harms it justice? we now, like the partridge,
Purge the disease with laurel;[85] for the fame
Shall crown the enterprize, and quit the shame.
[_Exeunt._
SCENE IV.--_An Apartment in a Palace at Padua._
_Enter_ FLAMINEO _and_ GASPARO, _at one door; another way_, GIOVANNI,
_attended._
_Gas._ The young duke: did you e'er see a sweeter prince?
_Flam._ I have known a poor woman's bastard better favoured; this is
behind him; now, to his face, all comparisons were hateful. Wise was
the courtly peacock that, being a great minion, and being compared
for beauty by some dottrels,[86] that stood by, to the kingly eagle,
said the eagle was a far fairer bird than herself, not in respect of
her feathers, but in respect of her long talons: his will grow out in
time.--My gracious lord!
_Gio._ I pray, leave me, sir.
_Flam._ Your grace must be merry: 'tis I have cause to mourn; for, wot
you, what said the little boy that rode behind his father on horseback?
_Gio._ Why, what said he?
_Flam._ "When you are dead, father," said he, "I hope that I shall ride
in the saddle." O, 'tis a brave thing for a man to sit by himself! he
may stretch himself in the stirrups, look about, and see the whole
compass of the hemisphere. You're now, my lord, i' the saddle.
_Gio._ Study your prayers, sir, and be penitent:
'Twere fit you'd think on what hath former bin;
I have heard grief named the eldest child of sin.
[_Exit._
_Flam._ Study my prayers! he threatens me divinely:
I am falling to pieces already. I care not though, like Anacharsis, I
were pounded to death in a mortar: and yet that death were fitter for
usurers, gold and themselves to be beaten together, to make a most
cordial cullis[87] for the devil.
He hath his uncle's villainous look already,
_In decimo sexto._
_Enter_ Courtier.
Now, sir, what are you?
_Cour._ It is the pleasure, sir, of the young duke,
That you forbear the presence, and all rooms
That owe him reverence.
_Flam._ So, the wolf and the raven
Are very pretty fools when they are young.
Is it your office, sir, to keep me out?
_Cour._ So the duke wills.
_Flam._ Verily, master courtier, extremity is not to be used in all
offices: say that a gentlewoman were taken out of her bed about
midnight, and committed to Castle Angelo, or to the tower yonder, with
nothing about her but her smock, would it not show a cruel part in the
gentleman-porter to lay claim to her upper garment, pull it o'er her
head and ears, and put her in naked?
_Cour._ Very good: you are merry. [_Exit._
Public-domain text, read in full here on John Shaqi.
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