Nea said afterward that it was that silent greeting of Maurice's, and
his cold touch, that first brought a doubt to her mind; during the
long drive he spoke little to her--only held her hand tightly; and
when at last they stood together in the dark old church with its
gloomy altar and white, gleaming monuments, the poor child gave a
shiver that was almost fear, and suddenly burst into tears. It had
come upon her all at once what she was doing, and why she was there;
but already it was too late, for while she was clinging to Maurice
with low, frightened sobs, the curate had hurried from the vestry and
had entered within the rails, and the pew-opener was beckoning them to
take their places.
Too late! too late! Ten minutes more and the knot was tied that no
hand could loosen, and Nea Huntingdon had become Nea Trafford.
* * * * *
But when they had left the gloomy old church in the distance, and were
driving through the crowded streets with their babel of voices, Nea's
courage and spirits revived; and presently she was tripping about
Maurice's shabby rooms, re-arranging the bowls of jonquils and lilac,
with which the landlady had made some show of festivity, unlooping the
stiff folds of the muslin curtains, and peeping into the corner
cupboards with the gleeful curiosity of a child, until, at her young
husband's gentle remonstrance, her seriousness returned, and she sat
down to write the formidable letter.
And how formidable it was Nea never imagined until she had tried and
failed, and then tried again till she sighed for very weariness; and
then Maurice came to her aid with a few forcible sentences; and so it
got itself written--the saddest, most penitent little letter that a
daughter's hand could frame.
But when she had laid down the burden of her secret, and the special
messenger had been dispatched to Belgrave House, Nea put off thought
for awhile, and she sat by the window and chatted to Maurice about the
gay doings they would have at Pau, and Maurice listened to her; but
always there was that sad, incredulous smile on his face.
And so the day wore on, but when they had finished their simple dinner
and the afternoon had waned into evening, Nea grew strangely quiet and
Maurice's face grew graver and graver as they sat with clasped hands
in the twilight, with a barrier of silence growing up between them.
And when the dusk became darkness, and the lamp was brought in Nea
looked at Maurice with wide anxious eyes and asked what it meant.
Were they not going to send the carriage for them after all? she
wondered; must she go home on foot and brave her father's anger? he
must be so very, very angry, she thought, to keep them so long in
suspense.
"Hush!" exclaimed Maurice, and then they heard the rumbling of wheels
that stopped suddenly before the door, and the loud pealing of a bell
through the house.
Public-domain text, read in full here on John Shaqi.
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