On the subject of the illustrating of the book Mr. Shackles--he was the
artistic, not the business partner--had a good deal to say. He did
not smile when Mr. Westwood mentioned that there was a lady of his
acquaintance who would execute the drawings under his own supervision.
No, Mr. Westwood was well out of the front door before he had a laugh
with his partner, who did not laugh but only winked at the notion of
Mr. Westwood's lady friend. But while Mr. Westwood was in his room Mr.
Shackles explained quite courteously that he should like to see some
of the lady's work, so that he should be in a position to judge as to
whether or not it lent itself well to the processes of reproduction.
That was how Mr. Shackles gave expression, when face to face with
Mr. Westwood, of the doubts which he afterwards formulated in a few
well-chosen phrases to his partner as to the artistic--the saleably
artistic--possibilities of the unnamed lady's work.
Then Mr. Westwood had an interview with the executive of the Royal
Geographical Society on the subject of his lecture; and the next day
every newspaper in the kingdom contained a paragraph announcing this
fact, and most of them had half-column leading articles commenting upon
the decision come to by the explorer, and pointing out that, owing to
the extraordinary circumstances connected with his involuntary stay
in the interior of the Dark Continent, the paper which he had so
courteously placed at the disposal of the Society could scarcely fail
to be the most interesting, as well as the most important, given to the
world through the same body for many years.
It was with great trepidation that Clare submitted her sketches to Mr.
Westwood. He had, of course, to pay another visit to The Knoll in order
to make a choice of the works to be sent to Mr. Shackles as specimens;
and even when Claude had expressed himself confident that Mr. Shackles
would be surprised at the high quality of the technique in those he
selected, the girl was not reassured. It was not till Claude had shown
her the publishers' letter regarding the drawings--another visit had to
be paid to The Knoll in order to show her this letter--that she began
to regain confidence in herself. Her face was rosy with pleasure before
Claude had finished reading the letter.
The fact was that Messrs. Shekels & Shackles had come to the decision
that they would be acting wisely in humouring Mr. Westwood in this
matter of illustrations; and seeing that the specimens of Miss
Tristram's work were susceptible of being improved by a judicious artist
accustomed to manipulate such work as was to be reproduced by certain
processes, the letter on the subject had been as nearly enthusiastic
as Messrs. Shekels & Shackles ever allowed themselves to become in the
presence of their typewriter. They had meant to gratify Mr. Westwood,
and the reply which they got from him convinced them that their object
was achieved.
Public-domain text, read in full here on John Shaqi.
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