“Cyril should not have gone off to the other end of the world, as I hear
he has done,” he continued. “He might have known that I would want to
ask him much; and yet, when I come here, I find that he has been
gone for more than a month, and there is positively no one in this
neighbourhood who can tell me anything more of the horrible affair than
has appeared in the newspapers. Fawcett, the solicitor, had kept for me
the newspaper account of the inquest and the trial. I saw Fawcett last
night, and then the surgeon--Crosby. We went to him after dinner. He it
was who showed up the suicide theory. How could it ever be supposed that
Dick would commit suicide? And yet, if it hadn't been for Crosby--Oh,
it was clearly proved that he could not have shot himself; and yet if it
wasn't for the possibility of his having shot himself, would they have
pardoned the wretch who did the murder? I read the whole account of the
trial, and Fawcett told me a good deal more. If ever a brutal murder was
done by a man it was that--and yet they allowed the fellow to escape--to
escape-to keep his life! That is what they call justice here! Justice! I
tell you that those savages--the most degraded in existence--among whom
I lived, have a better idea of justice than that.”
Still she was silent. What could she say to him while he was in this
mood? He had resumed his pacing of the floor. She no longer watched him.
She looked out of the window. She had a strange impression that she had
been present at such a scene before, and that she had taken the same
impersonal interest in it all. Yes, it had been at a theatre: she had
watched one of the actors pacing the stage and raving about British
justice--the playwright had made the character a victim of the
unjustness of the law. But the man had kept it up too long: he had
exhausted the interest of the audience. They had looked about the
theatre and nodded to their friends; but now she only looked out of the
window. The audience had yawned: she was not so impolite. She would not
interrupt the man before her by speaking a word.
“What excuse did they give for letting the assassin escape?” Claude
Westwood was standing once more at the window--the window through which
she had watched him coming up the drive to bid her good-bye upon
that October evening long ago. “Excuse? The man was found guilty of
murder--the most contemptible of murders. He had not the courage to face
his victim; he fired at him from behind--and yet they let him escape.
But if they had only done that it would not have mattered so much. If
they had given him his freedom I would have had a chance of amending the
lapse of justice. But they give him his life and protection as well.
Why did they not set him free and give me a chance of killing him as he
killed my poor brother?”
He stamped upon the floor, and struck his left palm with his right fist
as he spoke.
Public-domain text, read in full here on John Shaqi.
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