The physic-bottle was full of rum, and Sarah made herself a glass of
grog, and lighted her pipe, and looked into the fire. She had drawn the
curtains all round Mr. Ogden's bed; ample curtains of pale-brown damask,
with an elaborate looped valance, from whose deep festoons hung
multitudes of little pendants of turned wood covered with flossy silk.
The movement communicated to these pendants by the act of drawing the
curtains lasted a very long time, and Sarah was startled more than once
when on looking round from her arm-chair she saw them swinging and
knocking against each other still. As soon as the first shock of alarm
was past, the softer emotions claimed their turn, and the old woman
began to cry, repeating to herself incessantly, "And quite yoong too,
quite yoong, quite a yoong man!"
Suddenly she was aware of a movement in the room. Was it the little dog?
No; Feorach had elected to stay with his young master, and both little
Jacob and his dog were fast asleep in another room. She ventured to look
at the great awful curtained bed. The multitudinous pendants had not
ceased to swing and vibrate, and yet it was now a long time since Sarah
had touched the curtains. She wished they would give up and be still;
but whilst she was looking at them and thinking this, a little sharp
shock ran round the whole valance, and the pendants rattled against each
other with the low dull sound which was all that their muffling of silk
permitted; a low sound, but an audible one,--audible especially to ears
in high excitement; a stronger shock, a visible agitation, not only of
the tremulous pendants, but even of the heavy curtain-folds themselves.
Then they open, and Mr. Ogden's pale face appears.
"Well, Sarah, I hope you've made yourself comfortable, you damned old
rum-drinking thief! D'ye think I can't smell rum? Give me that bottle."
Sarah was much too agitated to say or do any thing whatever. She had
risen from her chair, and stood looking at the bed in speechless
amazement. Mr. Ogden got up, and walked towards the fire with an
unsteady pace. Then he possessed himself of the rum-bottle, and, putting
it to his lips, began to swallow the contents. This brought Sarah to
herself.
"Nay, nay, master: you said as you wouldn't drink no sperrits at Twistle
Farm upo' no 'count."
But the rum had been tasted, and the resolution broken. It had been
broken before as to the intention and meaning of it, and was now broken
even as to the letter. Isaac Ogden had got drunk at Twistle Farm; and
now he was drinking spirits there, not even diluting them with water.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account