Since then, keen lessons that love deceives,
And wrings with wrong, have shaped to me
Your face, and the God-curst sun, and a tree,
And a pond edged with grayish leaves.
1867.
[Picture: Sketch of church with person outside wall]
SHE
AT HIS FUNERAL
THEY bear him to his resting-place—
In slow procession sweeping by;
I follow at a stranger’s space;
His kindred they, his sweetheart I.
Unchanged my gown of garish dye,
Though sable-sad is their attire;
But they stand round with griefless eye,
Whilst my regret consumes like fire!
187–.
[Picture: Sketch of open book with two letters hand-written on left-hand
page]
HER INITIALS
UPON a poet’s page I wrote
Of old two letters of her name;
Part seemed she of the effulgent thought
Whence that high singer’s rapture came.
—When now I turn the leaf the same
Immortal light illumes the lay,
But from the letters of her name
The radiance has died away!
1869.
HER DILEMMA
(IN — CHURCH)
THE two were silent in a sunless church,
Whose mildewed walls, uneven paving-stones,
And wasted carvings passed antique research;
And nothing broke the clock’s dull monotones.
Leaning against a wormy poppy-head,
So wan and worn that he could scarcely stand,
—For he was soon to die,—he softly said,
“Tell me you love me!”—holding hard her hand.
She would have given a world to breathe “yes” truly,
So much his life seemed handing on her mind,
And hence she lied, her heart persuaded throughly
’Twas worth her soul to be a moment kind.
But the sad need thereof, his nearing death,
So mocked humanity that she shamed to prize
A world conditioned thus, or care for breath
Where Nature such dilemmas could devise.
1866.
[Picture: Sketch of two people in a church]
REVULSION
THOUGH I waste watches framing words to fetter
Some spirit to mine own in clasp and kiss,
Out of the night there looms a sense ’twere better
To fail obtaining whom one fails to miss.
For winning love we win the risk of losing,
And losing love is as one’s life were riven;
It cuts like contumely and keen ill-using
To cede what was superfluously given.
Let me then feel no more the fateful thrilling
That devastates the love-worn wooer’s frame,
The hot ado of fevered hopes, the chilling
That agonizes disappointed aim!
So may I live no junctive law fulfilling,
And my heart’s table bear no woman’s name.
1866.
[Picture: Sketch of person walking long path to building on hill]
SHE, TO HIM
I
WHEN you shall see me in the toils of Time,
My lauded beauties carried off from me,
My eyes no longer stars as in their prime,
My name forgot of Maiden Fair and Free;
Public-domain text, read in full here on John Shaqi.
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