England -- Social life and customs -- 19th century -- Fiction; Wessex (England) -- Fiction
What a useless journey it was! Ella knew but vaguely where the house
stood, and when she fancied she had found it, and ventured to inquire
of a pedestrian if he lived there, the answer returned by the man was
that he did not know. And if he did live there, how could she call upon
him? Some women might have the assurance to do it, but she had not. How
crazy he would think her. She might have asked him to call upon her,
perhaps; but she had not the courage for that, either. She lingered
mournfully about the picturesque seaside eminence till it was time to
return to the town and enter the steamer for recrossing, reaching home
for dinner without having been greatly missed.
At the last moment, unexpectedly enough, her husband said that he
should have no objection to letting her and the children stay on till
the end of the week, since she wished to do so, if she felt herself
able to get home without him. She concealed the pleasure this extension
of time gave her; and Marchmill went off the next morning alone.
But the week passed, and Trewe did not call.
On Saturday morning the remaining members of the Marchmill family
departed from the place which had been productive of so much fervour in
her. The dreary, dreary train; the sun shining in moted beams upon the
hot cushions; the dusty permanent way; the mean rows of wire—these
things were her accompaniment: while out of the window the deep blue
sea-levels disappeared from her gaze, and with them her poet’s home.
Heavy-hearted, she tried to read, and wept instead.
Mr. Marchmill was in a thriving way of business, and he and his family
lived in a large new house, which stood in rather extensive grounds a
few miles outside the city wherein he carried on his trade. Ella’s life
was lonely here, as the suburban life is apt to be, particularly at
certain seasons; and she had ample time to indulge her taste for lyric
and elegiac composition. She had hardly got back when she encountered a
piece by Robert Trewe in the new number of her favourite magazine,
which must have been written almost immediately before her visit to
Solentsea, for it contained the very couplet she had seen pencilled on
the wallpaper by the bed, and Mrs. Hooper had declared to be recent.
Ella could resist no longer, but seizing a pen impulsively, wrote to
him as a brother-poet, using the name of John Ivy, congratulating him
in her letter on his triumphant executions in metre and rhythm of
thoughts that moved his soul, as compared with her own brow-beaten
efforts in the same pathetic trade.
To this address there came a response in a few days, little as she had
dared to hope for it—a civil and brief note, in which the young poet
stated that, though he was not well acquainted with Mr. Ivy’s verse, he
recalled the name as being one he had seen attached to some very
promising pieces; that he was glad to gain Mr. Ivy’s acquaintance by
letter, and should certainly look with much interest for his
productions in the future.
Public-domain text, read in full here on John Shaqi.
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