England -- Social life and customs -- 19th century -- Fiction; Wessex (England) -- Fiction
The guests had arrived before the rain began to fall, and they were all
now assembled in the chief or living room of the dwelling. A glance
into the apartment at eight o’clock on this eventful evening would have
resulted in the opinion that it was as cosy and comfortable a nook as
could be wished for in boisterous weather. The calling of its
inhabitant was proclaimed by a number of highly-polished sheep-crooks
without stems that were hung ornamentally over the fireplace, the curl
of each shining crook varying from the antiquated type engraved in the
patriarchal pictures of old family Bibles to the most approved fashion
of the last local sheep-fair. The room was lighted by half-a-dozen
candles, having wicks only a trifle smaller than the grease which
enveloped them, in candlesticks that were never used but at high-days,
holy-days, and family feasts. The lights were scattered about the room,
two of them standing on the chimney-piece. This position of candles was
in itself significant. Candles on the chimney-piece always meant a
party.
On the hearth, in front of a back-brand to give substance, blazed a
fire of thorns, that crackled ‘like the laughter of the fool.’
Nineteen persons were gathered here. Of these, five women, wearing
gowns of various bright hues, sat in chairs along the wall; girls shy
and not shy filled the window-bench; four men, including Charley Jake
the hedge-carpenter, Elijah New the parish-clerk, and John Pitcher, a
neighbouring dairyman, the shepherd’s father-in-law, lolled in the
settle; a young man and maid, who were blushing over tentative
_pourparlers_ on a life-companionship, sat beneath the corner-cupboard;
and an elderly engaged man of fifty or upward moved restlessly about
from spots where his betrothed was not to the spot where she was.
Enjoyment was pretty general, and so much the more prevailed in being
unhampered by conventional restrictions. Absolute confidence in each
other’s good opinion begat perfect ease, while the finishing stroke of
manner, amounting to a truly princely serenity, was lent to the
majority by the absence of any expression or trait denoting that they
wished to get on in the world, enlarge their minds, or do any eclipsing
thing whatever—which nowadays so generally nips the bloom and
_bonhomie_ of all except the two extremes of the social scale.
Public-domain text, read in full here on John Shaqi.
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