England -- Social life and customs -- 19th century -- Fiction; Wessex (England) -- Fiction
While he stood, the boom of the serpent within the adjacent house, and
the lesser strains of the fiddler, reached the spot as an accompaniment
to the surging hiss of the flying rain on the sod, its louder beating
on the cabbage-leaves of the garden, on the eight or ten beehives just
discernible by the path, and its dripping from the eaves into a row of
buckets and pans that had been placed under the walls of the cottage.
For at Higher Crowstairs, as at all such elevated domiciles, the grand
difficulty of housekeeping was an insufficiency of water; and a casual
rainfall was utilized by turning out, as catchers, every utensil that
the house contained. Some queer stories might be told of the
contrivances for economy in suds and dish-waters that are absolutely
necessitated in upland habitations during the droughts of summer. But
at this season there were no such exigencies; a mere acceptance of what
the skies bestowed was sufficient for an abundant store.
At last the notes of the serpent ceased and the house was silent. This
cessation of activity aroused the solitary pedestrian from the reverie
into which he had lapsed, and, emerging from the shed, with an
apparently new intention, he walked up the path to the house-door.
Arrived here, his first act was to kneel down on a large stone beside
the row of vessels, and to drink a copious draught from one of them.
Having quenched his thirst he rose and lifted his hand to knock, but
paused with his eye upon the panel. Since the dark surface of the wood
revealed absolutely nothing, it was evident that he must be mentally
looking through the door, as if he wished to measure thereby all the
possibilities that a house of this sort might include, and how they
might bear upon the question of his entry.
In his indecision he turned and surveyed the scene around. Not a soul
was anywhere visible. The garden-path stretched downward from his feet,
gleaming like the track of a snail; the roof of the little well (mostly
dry), the well-cover, the top rail of the garden-gate, were varnished
with the same dull liquid glaze; while, far away in the vale, a faint
whiteness of more than usual extent showed that the rivers were high in
the meads. Beyond all this winked a few bleared lamplights through the
beating drops—lights that denoted the situation of the county-town from
which he had appeared to come. The absence of all notes of life in that
direction seemed to clinch his intentions, and he knocked at the door.
Within, a desultory chat had taken the place of movement and musical
sound. The hedge-carpenter was suggesting a song to the company, which
nobody just then was inclined to undertake, so that the knock afforded
a not unwelcome diversion.
‘Walk in!’ said the shepherd promptly.
The latch clicked upward, and out of the night our pedestrian appeared
upon the door-mat. The shepherd arose, snuffed two of the nearest
candles, and turned to look at him.
Public-domain text, read in full here on John Shaqi.
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