England -- Social life and customs -- 19th century -- Fiction; Wessex (England) -- Fiction
My tools are but common ones,
Simple shepherds all—
My tools are no sight to see:
A little hempen string, and a post whereon to swing,
Are implements enough for me!’
Shepherd Fennel glanced round. There was no longer any doubt that the
stranger was answering his question rhythmically. The guests one and
all started back with suppressed exclamations. The young woman engaged
to the man of fifty fainted half-way, and would have proceeded, but
finding him wanting in alacrity for catching her she sat down
trembling.
‘O, he’s the—!’ whispered the people in the background, mentioning the
name of an ominous public officer. ‘He’s come to do it! ’Tis to be at
Casterbridge jail to-morrow—the man for sheep-stealing—the poor
clock-maker we heard of; who used to live away at Shottsford and had no
work to do—Timothy Summers, whose family were a-starving, and so he
went out of Shottsford by the high-road, and took a sheep in open
daylight, defying the farmer and the farmer’s wife and the farmer’s
lad, and every man jack among ’em. He’ (and they nodded towards the
stranger of the deadly trade) ‘is come from up the country to do it
because there’s not enough to do in his own county-town, and he’s got
the place here now our own county man’s dead; he’s going to live in the
same cottage under the prison wall.’
The stranger in cinder-gray took no notice of this whispered string of
observations, but again wetted his lips. Seeing that his friend in the
chimney-corner was the only one who reciprocated his joviality in any
way, he held out his cup towards that appreciative comrade, who also
held out his own. They clinked together, the eyes of the rest of the
room hanging upon the singer’s actions. He parted his lips for the
third verse; but at that moment another knock was audible upon the
door. This time the knock was faint and hesitating.
The company seemed scared; the shepherd looked with consternation
towards the entrance, and it was with some effort that he resisted his
alarmed wife’s deprecatory glance, and uttered for the third time the
welcoming words, ‘Walk in!’
The door was gently opened, and another man stood upon the mat. He,
like those who had preceded him, was a stranger. This time it was a
short, small personage, of fair complexion, and dressed in a decent
suit of dark clothes.
‘Can you tell me the way to—?’ he began: when, gazing round the room to
observe the nature of the company amongst whom he had fallen, his eyes
lighted on the stranger in cinder-gray. It was just at the instant when
the latter, who had thrown his mind into his song with such a will that
he scarcely heeded the interruption, silenced all whispers and
inquiries by bursting into his third verse:-
To-morrow is my working day,
Simple shepherds all—
To-morrow is a working day for me:
For the farmer’s sheep is slain, and the lad who did it ta’en,
And on his soul may God ha’ merc-y!’
Public-domain text, read in full here on John Shaqi.
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