The brown girl shook her head. "This ship-metal wedding ring Paul
hammered out for me--that's the only Earth jewelry I want to keep.
This face that might be like my mother's--Oh, Doc, I'm getting to be a
big girl now. Besides, Lucifer will have plenty of pretties for us
later on. And Doc--let me do this, will you? They've got a woman
leading 'em, so--wouldn't she be less afraid of another woman? I'll
uncover, so she--" Dorothy shrugged out of her jacket. "Please, Doc?
I'm scared, but--"
Wright glanced helplessly at Paul. "We--"
Dorothy said quickly, "_My_ decision." Holding the locket up for the
sun to gleam on it, she walked into the meadow and waited in the
brightness. Paul's hand sweated on the rifle stock. He saw Wright
patting Mijok's arm, heard his restraining murmur: "Quiet, Mijok--keep
your shirt on, Mijok, old man--man...." Mijok searched the face of his
god with a mute desperation and remained as he was.
The pygmy woman halted fifty feet away in still-faced musing. As Paul
had seen through the binoculars, she was elaborately tattooed and
young. The pause was long. Dorothy stepped nearer to the place where
Wright had left the bones, displaying the locket, her open left hand
waving down at her body to demonstrate that she carried no weapons.
For the first time Paul realized she had left her holster belt behind.
The blue-skirted woman shrilled a word; her two followers fell back.
She thrust the blunt end of her spear in the ground and came forward
steadily until she was only a few feet from the woman of the
twenty-first century; mask-faced, she met Dorothy's smile with a long
scrutiny. Now and then the green eyes shifted to study the clearing,
the lifeboat, the quiet shapes of Paul and Wright. And Mijok. Perhaps
she stared longest at Mijok, but by some heavy discipline her face
refused to tell of anything but dignity and caution.
She spoke at last. It was complex, in a tone like the piping of a tree
frog. There were pauses, studied inflections, no gestures: her
seven-fingered hands hung limp against the blue grass skirt. The
closing words seemed to have a note of questioning and of sternness;
she waited.
Dorothy's contralto was startlingly deep in contrast: "Darling, I
would like to know where you picked up that perfectly adorable
wrap-around, only I don't think it would suit me. I'm, to put it
frankly, a shade too hippy for such. In case you're wondering, I'm a
female sample of man"--she touched herself and pointed to the pygmy
lady--"man--"
"Oh!" Wright whispered. "Good girl, good--"
Public-domain text, read in full here on John Shaqi.
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