Wright snarled; "Suppose you know that damn bowman had an arrow
trained on you the whole time?"
She glanced at him, lips quivering. "I was kind of aware of it."
"Can I," said Paul, "touch the hand that touched the hand--"
"Oh no. I ain' gonna 'sociate with no common scum no mo'."
Mijok stared in wonder at their sudden paroxysms of hysterical
laughter. He rumbled in doubt. Then the contagion caught him. Whatever
his own interpretation might be, he was bellowing, hammering his
chest, rolling over on the moss and scattering handfuls of it while he
roared.
He did not sober until he saw Wright drawing pictures on the
earth--three stylized but obvious human figures, one small, one
medium-sized, one large. Only the middle one had five fingers. Wright
gouged a circle around all three. He said, "C'm'on, Mijok--language
lesson."
7
The trail was obvious only to the pygmies, through a border region of
meadow and forest that was full of dappled light, a warm hurry of life
feeding, struggling, wandering. Aware of his own power and readiness,
able now to enjoy the shifting scents and noises of this new trail,
Paul watched Ann's quick slenderness and the swing of Spearman's solid
shoulders. They, and Sears Oliphant, had emerged unharmed from the
illness. During a week unmeasurably long in retrospect, all six of the
party had found the ease and sureness of physical acclimation. Their
bodies rejoiced in the hot clean air of day and the moist moderate
nights; the only rebel was the Earth-born brain--grudging, frightened,
trailing, making endless reservations and timid of shadows. In Sears
Oliphant it was an almost open battle between a brave and curious mind
and flesh that could not hide its wincing from pain and danger. His
"Oh my, yes" had a tremor which angered himself and oppressed his
natural garrulity.
When Ann Bryan had drifted out of the sleep of illness, Ed Spearman
was petting her hands, sponging her forehead. Paul had seen something
happen in Ann at that moment, like an innocent putting forth of leaves
when winter is not surely gone. Ann had never taken a lover. On the
ship, not so much unawakened as unwilling, she had rejected all that;
Spearman, making no secret of wanting her, had not been insistent. Nor
had he seemed outwardly much distressed, but (at a time when
Earth-harbored youth of his nature would have been in their liveliest
and most demanding prime) he had buried himself in _Argo's_ technical
library to the point of red-eyed exhaustion, a desperation of
unceasing study in the technologies that Captain Jensen would have
helped him explore if Jensen had lived. Ann had read other matters
after the violin strings were gone, read and daydreamed. If she'd wept
(and Paul thought she had) she had done it alone, in that pocket of a
room sacred to herself. To the others, she was a passionately silent
adolescent turning into a tiredly silent woman, who made too much
point of doing her own work and asking for nothing.
Public-domain text, read in full here on John Shaqi.
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