I have often regretted, as I watched the crowds swarming around, that each individual might not carry away a real appreciation of West Point, instead of leaving with only the most superficial impressions. Unless one has graduated from the Academy it is impossible to seize fully the spirit of the institution, or have a clear idea of its intimate life. My long familiarity with West Point, both as a cadet and as an officer, prompts me to portray for the American people the history, aims, ideals, and spirit of their National Military Academy. [Illustration: Class Formation in the Area of Barracks] West Point seen for the first time from the river, whether in sunshine or through the mists, is a sight not soon forgotten. The monumental Riding Hall that rises out of the cliff of which it seems to form a part, first fixes the eye, but as one’s glance wanders a little higher it drinks in the towering pile of Post Headquarters; higher yet, the eye rests for a moment on the crenelated border of the roof of the Academic Building, and then, higher still, it pauses to contemplate the beauty of West Point’s crowning architectural achievement, the Cadet Chapel. For a moment the beholder seems withdrawn from the sordid material world, and filled with a multitude of noble impressions. He experiences a spiritual uplift as he admires the majestic simplicity and grandeur of the buildings, an architectural triumph worthy to have inspired Ruskin’s beautiful thought, “frozen music.” When the Government determined to rebuild West Point, nearly fifteen years ago, the presence of two fine buildings of Gothic design--the Library and the Cadet Barracks--decided the style of architecture. These two buildings ranked as perhaps the most successful examples of the Collegiate Gothic that was much in vogue for educational institutions in the country half a century ago. A limited competition was held for designs and all architects who had distinguished themselves in Gothic work were invited to participate. Several beautiful designs for a Renaissance treatment were offered, but one group of architects, Cram, Goodhue, and Ferguson, submitted drawings for so admirable a Gothic treatment that they received the unanimous approval of a board of judges composed of eminent architects. The construction of the new buildings lasted over a period of about seven years, during which time the work was under the direction of Colonel John M. Carson, Jr., Quartermaster, who was representing the Government. In writing a book on West Point, any mention of the buildings involves the name of Colonel Carson who performed his difficult work with an unusual amount of zeal and intelligence. The result is that the new buildings are splendidly constructed, and because the architects had an eye for harmony these structures seem to grow out of the rocks upon which they stand, emphasizing rather than detracting from West Point’s natural beauty. [Illustration: The Administration Building]