Westminster (London, England) -- Description and travel
Hymen addresses Venus, paying the most charming compliments to King
James under the name of Æneas. He tells her that he is come to grace the
marriage of a noble virgin styled the Maid of the Redcliffe, and that
Vulcan with the Cyclopes are at that moment forging something strange
and curious to grace the nuptials; and indeed, at that moment Vulcan
himself, dressed like the blacksmith that he is, comes upon the stage.
He has completed the work:
“Cleave, solid rock, and bring the wonder forth!”
Then, with a burst of music, the cliff falls open and discloses “an
illustrious concave filled with an ample and glistering light in which
an artificial sphere was made of silver, eighteen feet in diameter, that
turned perpetually; the _coluri_ were heightened with gold; so were the
arctic and the antarctic circles, the tropics, the equinoctial, the
meridian, and horizon; only the zodiac was of pure gold, in which the
masquers under the characters of the twelve signs were placed, answering
them in number.”
This is the description. The system of the Zodiac seems a strange thing
to present as part of a wedding entertainment; but such a thing was not
then part of school work, and when Vulcan called out at the masquers,
Aries the Ram, Taurus the Bull, Gemini the Twins, and the rest,
explaining how they apply to the conjugal condition, no doubt there was
much delight. This done, Venus, Vulcan, Hymen, and their trains sat or
stood while the masquers, assisted by the Cyclopes, alternately sang and
danced. There are seven verses to the song, and there were four dances.
The dances were invented by Master Thomas Giles and Master Hieronymus
Herne; the tunes were composed by Master Alphonso Ferrabosco; the scenes
by Master Inigo Jones; and the verse, with the invention of the whole,
by Ben Jonson himself. “The attire,” says the poet, “of the masquers
throughout was most graceful and noble; partaking of the best, both
ancient and later figure. The colours, carnation and silver, enriched
with embroidery and lace. The dressing of their heads, feathers and
jewels.” The names of the masquers were the Duke of Lenox, the Earls of
Arundell, Pembroke, and Montgomery, Lords D’Aubigny, Walden, Hay, and
Sankre, Sir Robert Rothe, Sir Joseph Kennethir, and Master Erskine. Here
are two of the verses:
“What joy or honours can compare
With holy nuptials when they are
Made out of equal parts
Of years, of states, of hands, of hearts!
When in the happy choice
The spouse and spousèd have the foremost voice!
Such, glad of Hymen’s war,
Live what they are
And long perfection see:
And such ours be--
Shine, Hesperus, shine forth, thou wishèd star!
Public-domain text, read in full here on John Shaqi.
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