Westminster (London, England) -- Description and travel
running to and fro; the fires are lit in kitchen and in bakery: the
clerks, pen in hand and ink-bottle hanging from their belts, go round to
the offices. Listen to the baying of the hounds; see the falconers
bringing out their birds; here are the chained bears rolling on the
ground; there go the young nobles hasting to the King’s chamber--it is
the time of gorgeous raiment: half a manor is in the blue silk jacket of
that young lord, one of the King’s favorites. There is already, from
this side or that, the tinkling of a mandolin, the scraping of a crowd;
yonder fantastic group, the first to enter when the Palace gates are
thrown open, are mummers, jugglers, and minstrels, who come to make
sport for the archers and for the Court if the King’s Highness or the
Queen’s most excellent Grace so wills. These people can play a mystery
if needs be; or they can dress like fearful wild beasts, or dance like
wild men of the woods; they have songs from France--love songs, songs
for ladies; rougher songs in English for the soldiers; they can dance
upon the tight-rope; they can eat fire; they can juggle and play strange
tricks which they have brought hither all the way from
Constantinople--at the sight of them you cross yourself and whisper that
it is sorcery. As for the music of the King’s chamber, that is made by
the King’s minstrels, who wear his colors and have bouche of court. See
yonder gayly dressed young man: he is a minstrel; none other can touch
the harp and sing with skill so sweet; he looks on with contempt at the
fantastic crew as they sweep past to the soldiers’ quarters; they, too,
carry their minstrel instruments with them, but their music is not his
music. In the evening the minstrel will join in the crowd to see the
dancing of the girls--the almond-eyed, dark-skinned girls of Syria--who
follow the fortunes of the mummers and toss their round arms as they
dance with strange gestures and wanton looks, at sight of which the
senses swim and the brain reels and the soul yearns for things
impossible.
The noise of the Palace grows; it is wide awake: the day has begun.
Public-domain text, read in full here on John Shaqi.
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