A preposterous and affected statue to our left, with the immortal name of
Shakespeare below it, has distracted the eyes of our friends, and
comments are freely made when we tell them how nearly the bones of the
sweet Swan of Avon were brought from Stratford to this burial-place of
poets. The monument itself was erected by subscription more than a
century after Shakespeare's {48} death, but the removal of the body had
been averted long before by Ben Jonson's protest and the dramatist's
posthumous curse. The Scotchmen with us, who have just gazed with much
appreciation at Chantrey's bust of their national novelist, a replica of
the one at Abbotsford, now look up to the heavy-featured face of Burns,
their national poet. We pause to tell them that this memorial was placed
here twenty-one years ago, and was paid for with shilling subscriptions,
which were voluntarily contributed by all classes in Scotland, from the
highest to the lowest. Southey and Coleridge are the next on the eastern
wall, and we find their names familiar to all those who have toured in
the Lake country, although few of their works are read now by the
generality, save possibly Southey's _Life of Nelson_. Campbell's bust is
at the angle where we turn into the original Poets' Corner, and several
of those around us call to mind his still popular poems, notably
"Hohenlinden" and the "Battle of the Baltic." A few steps further and we
stand upon the vault of Edmund Spenser, that prince of poets, who was
buried in close proximity to the tomb of Geoffrey Chaucer, the father of
English poetry. Within this vault moulder not only the dust of Spenser,
{49} but the funeral odes and the pens wherewith they were writ, which
his friends, the poets and literary men of the day, threw old Camden
tells us upon his coffin. Elizabeth herself, according to a contemporary
writer, mindful of the tribute paid to her in the _Fairie Queen_, ordered
a monument to be erected in honour of her poet, but this was never done:
she died three years later, and some said that a greedy courtier
embezzled the money intended for this purpose. Whatever the truth, a
literary Countess, Lady Dorset, repaired the omission twenty years
afterwards, but by the following century her memorial had crumbled away,
and was replaced by a copy, for which Gray's friend Mason collected a sum
of money. After Spenser's burial this part of the transept was dedicated
to the memory of poets, and amongst many forgotten names are others of
undying fame. Before us, for instance, are Ben Jonson and Milton.
Jonson, who knew Shakespeare and owed much to his friendship with Lord
Bacon, died as did so many of his literary contemporaries, in poor
circumstances: like Chaucer and Spenser, he ended his life in a house
close to the Abbey, in King Street, which was recently demolished. His
body was buried in the nave, {50} standing upright on its feet; the words
"O rare Ben Jonson," which are repeated on the monument, were cut upon
Public-domain text, read in full here on John Shaqi.
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