Westover of Wanalah: A story of love and life in Old VirginiaEggleston, George Cary
General
Westover of Wanalah: A story of love and life in Old Virginia
Eggleston, George Cary
Virginia -- Fiction
McGrath, to whom no hint of Judy's purposes had been given, answered
her questions as if reading from a cyclopædia:
"William Wilberforce was an Englishman, celebrated as a philanthropist
and especially distinguished by his work for the abolition of negro
slavery. He was known in England as 'the great abolitionist.'"
"That's all right," said Judy with a grunt of satisfaction. "I ain't
got no way o' findin' out how that bow-legged hoppergrass, Webb, got a
holt'n the name, but he'll wish't he hadn't 'fore I git through with
him. Now, Mark, I want you to write down jes' what you's tole me--no
more an' no less--'bout that there abolitionist Wilberforce. Jest write
it down on paper an' leave it."
"What are you up to, Judy, anyhow?" McGrath ventured to ask.
"That's what the queen bee axed the b'ar when he clum' the bee tree,
an' the b'ar says: 'I'm up to the hole that's got the honey in it'."
And Judy vouchsafed no further explanation of her purposes.
Next day she sent for Edgar Coffey and questioned him.
"Who's this here Don Carlos Farnsworth that Westover's always a sendin'
game to? Do you know him?"
"Yes. He's a white man."
In the parlance of Virginia at that time there was no phrase that meant
so much as that. To say of one that he was "a white man" was to say
that he was honest, upright, true and loyal to the tips of his fingers.
Judy perfectly understood and so far was satisfied.
"Kin he talk?" she asked.
"Well I reckon. I ain't never seed him when he was a doin' anything
else. Words streams out'n him like water out'n a spoutin' spring, an'
they's the sort o' words that wallops you all up an' don't leave you no
chanst to argify."
"You go down thar to-morrow, Edgar, an' tell him please to come up here
jes' as quick as he kin, an' have dinner an' a night's lodgin' like.
Tell him I want to see him 'bout Boyd Westover, an' ef he backs an'
pulls on the halter like, you tell him I say Boyd's in a bad way in
certain respec's. Remember to say 'in certain respec's.' Ef you don't
you'll mislead him."
"Why not write him a letter, Judy, an' let me carry it? Then you'd be
sure."
"I ain't a writin' no letters. You see's long as you jes' send word
like, they ain't nothin' for anybody to git a hold on. Nobody kin be
sure you said jest them words, and nobody kin prove you didn't say 'em
jes' a little differenter. But ef you put yourself down in writin'
they's got you. No, I ain't a writin' nothin', partic'lar when I's got
a hen on the nest fer some feller. So you jes' go down there to-morrow
an' tell Don Carlos Farnsworth I'm a invitin' him up here on Boyd
Westover's account. Ef he says he'll come, you hain't got no need to
say no more. But ef he backs in the traces like, you jes' tell him what
I tole you about Boyd a bein' in a bad way in certain respec's.
Remember them words an' say 'em right--'_in certain respec's_.'"
XVIII
JUDY PLANS A CAMPAIGN
Public-domain text, read in full here on John Shaqi.
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